63 jili slot
63 jili slot
The news of the boy's tragic fate quickly spread throughout the community, sparking an outpouring of shock, grief, and anger. People from all walks of life came together to mourn the loss of a young life taken too soon, with many expressing their outrage at the senseless violence that had befallen their neighborhood.Agnes Flues obituary
In the end, the sudden plummet of Bitcoin and the subsequent liquidations of nearly 570,000 traders served as a stark reminder of the unpredictable nature of the cryptocurrency market. While the future remains uncertain, one thing is clear: the days of smooth sailing for Bitcoin are over, and investors must brace themselves for the choppy waters that lie ahead.
With Exa, the transition from chaotic web searches to a structured and efficient database is seamless. Users are empowered to take control of their online research, streamline their information retrieval process, and unlock the full potential of the vast resources available on the internet. Whether you are a student conducting research, a professional seeking industry insights, or a curious individual exploring new topics, Exa is your partner in transforming information overload into organized knowledge.Recently, the news of the investigation into Nvidia has caused a stir in the tech industry. The company, known for its cutting-edge graphics cards and AI technology, is facing scrutiny over its proposed acquisition of Arm Ltd. Here, we delve into the implications of this investigation and consider what it means for Nvidia and the wider tech landscape.
The Fearless Covenant Ant Esports National Challenge may have come to an end, but the memories, friendships, and lessons learned will endure forever. As we look towards the future, let us continue to support and celebrate the growth of esports, recognizing its potential to unite people from all walks of life in the pursuit of a common passion. Congratulations once again to Team Answers for their remarkable achievement, and may their success inspire countless others to pursue their dreams with courage and determination. The journey to greatness may be challenging, but with dedication, teamwork, and the fearless spirit of champions, anything is possible.The shocking news of a 26-year-old American influencer being kidnapped, murdered, and her body dumped into the sea has sent shockwaves through the online community and beyond. The tragic incident has left many in disbelief and horror, as the search for the victim's body continues amidst growing fears that it may never be found.As the day of the match approaches, anticipation and excitement are building among Atlanta fans and football enthusiasts worldwide. The clash between Atlanta and Real Madrid promises to be a spectacle of skill, strategy, and passion, with both teams eager to prove their worth on the grand stage of European football.
https://arab.news/cvequ President-elect Donald Trump asked the Supreme Court on Friday to pause the potential TikTok ban from going into effect until his administration can pursue a “political resolution” to the issue. The request came as TikTok and the Biden administration filed opposing briefs to the court, in which the company argued the court should strike down a law that could ban the platform by Jan. 19 while the government emphasized its position that the statute is needed to eliminate a national security risk. “President Trump takes no position on the underlying merits of this dispute. Instead, he respectfully requests that the Court consider staying the Act’s deadline for divestment of January 19, 2025, while it considers the merits of this case,” said Trump’s amicus brief, which supported neither party in the case. The filings come ahead of oral arguments scheduled for Jan. 10 on whether the law, which requires TikTok to divest from its China-based parent company or face a ban, unlawfully restricts speech in violation of the First Amendment. Earlier this month, a panel of three federal judges on the US Court of Appeals for the District of Columbia Circuit unanimously upheld the statute, leading TikTok to appeal the case to the Supreme Court. The brief from Trump said he opposes banning TikTok at this junction and “seeks the ability to resolve the issues at hand through political means once he takes office.”
Ratings for BorgWarner BWA were provided by 6 analysts in the past three months, showcasing a mix of bullish and bearish perspectives. Summarizing their recent assessments, the table below illustrates the evolving sentiments in the past 30 days and compares them to the preceding months. Bullish Somewhat Bullish Indifferent Somewhat Bearish Bearish Total Ratings 1 3 2 0 0 Last 30D 0 1 0 0 0 1M Ago 1 0 0 0 0 2M Ago 0 1 1 0 0 3M Ago 0 1 1 0 0 Analysts have recently evaluated BorgWarner and provided 12-month price targets. The average target is $41.5, accompanied by a high estimate of $50.00 and a low estimate of $36.00. This current average has not changed from the previous average price target. Decoding Analyst Ratings: A Detailed Look In examining recent analyst actions, we gain insights into how financial experts perceive BorgWarner. The following summary outlines key analysts, their recent evaluations, and adjustments to ratings and price targets. Analyst Analyst Firm Action Taken Rating Current Price Target Prior Price Target Colin Langan Wells Fargo Lowers Overweight $40.00 $42.00 Ronald Jewsikow Guggenheim Maintains Buy $41.00 $41.00 Edison Yu Deutsche Bank Raises Hold $39.00 $38.00 Ryan Brinkman JP Morgan Lowers Overweight $50.00 $51.00 Chris McNally Evercore ISI Group Raises Outperform $43.00 $39.00 Kash Rangan Goldman Sachs Lowers Neutral $36.00 $38.00 Key Insights: Action Taken: Analysts respond to changes in market conditions and company performance, frequently updating their recommendations. Whether they 'Maintain', 'Raise' or 'Lower' their stance, it reflects their reaction to recent developments related to BorgWarner. This information offers a snapshot of how analysts perceive the current state of the company. Rating: Delving into assessments, analysts assign qualitative values, from 'Outperform' to 'Underperform'. These ratings communicate expectations for the relative performance of BorgWarner compared to the broader market. Price Targets: Analysts predict movements in price targets, offering estimates for BorgWarner's future value. Examining the current and prior targets offers insights into analysts' evolving expectations. To gain a panoramic view of BorgWarner's market performance, explore these analyst evaluations alongside essential financial indicators. Stay informed and make judicious decisions using our Ratings Table. Stay up to date on BorgWarner analyst ratings. Unveiling the Story Behind BorgWarner BorgWarner is a Tier I auto-parts supplier with three operating segments. The air management group makes turbochargers, e-boosters, e-turbos, timing systems, emissions systems, thermal systems, gasoline ignition technology, powertrain sensors, and cabin heaters. The drivetrain and battery systems group produces automatic transmission components, torque management products, battery heaters, battery charging, and battery modules. The e-propulsion segment makes e-motors, power electronics, and software and control modules. The company's largest customers are Ford and Volkswagen at 14% and 11% of 2023 revenue, respectively. Geographically, Europe accounted for 36% of 2023 revenue, while Asia and North America were 34% and 29% apiece. Financial Insights: BorgWarner Market Capitalization Analysis: The company's market capitalization is above the industry average, indicating that it is relatively larger in size compared to peers. This may suggest a higher level of investor confidence and market recognition. Revenue Growth: BorgWarner's revenue growth over a period of 3 months has faced challenges. As of 30 September, 2024, the company experienced a revenue decline of approximately -4.78% . This indicates a decrease in the company's top-line earnings. As compared to competitors, the company encountered difficulties, with a growth rate lower than the average among peers in the Consumer Discretionary sector. Net Margin: The company's net margin is a standout performer, exceeding industry averages. With an impressive net margin of 6.78%, the company showcases strong profitability and effective cost control. Return on Equity (ROE): The company's ROE is a standout performer, exceeding industry averages. With an impressive ROE of 3.82%, the company showcases effective utilization of equity capital. Return on Assets (ROA): BorgWarner's ROA excels beyond industry benchmarks, reaching 1.6% . This signifies efficient management of assets and strong financial health. Debt Management: BorgWarner's debt-to-equity ratio is below the industry average. With a ratio of 0.77 , the company relies less on debt financing, maintaining a healthier balance between debt and equity, which can be viewed positively by investors. What Are Analyst Ratings? Ratings come from analysts, or specialists within banking and financial systems that report for specific stocks or defined sectors (typically once per quarter for each stock). Analysts usually derive their information from company conference calls and meetings, financial statements, and conversations with important insiders to reach their decisions. Some analysts also offer predictions for helpful metrics such as earnings, revenue, and growth estimates to provide further guidance as to what to do with certain tickers. It is important to keep in mind that while stock and sector analysts are specialists, they are also human and can only forecast their beliefs to traders. Breaking: Wall Street's Next Big Mover Benzinga's #1 analyst just identified a stock poised for explosive growth. This under-the-radar company could surge 200%+ as major market shifts unfold. Click here for urgent details . This article was generated by Benzinga's automated content engine and reviewed by an editor. © 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.After being kidnapped for the third time, Dr. Chen found herself in a situation where she was able to escape from her captors and seek help. With the assistance of local authorities, she was able to piece together her true identity and reach out to her family for the first time in years. The moment of hearing her mother's voice on the phone filled Dr. Chen with a sense of relief and joy she had long thought was beyond her reach.
Rico Carty, who won the 1970 NL batting title when he hit a major league-best .366 for the Atlanta Braves, has died. He was 85. Major League Baseball , the players' association and the Braves paid tribute to Carty on social media on Sunday. No further details on Carty's death were provided. “Carty was one of the first groundbreaking Latino stars in the major leagues, and he established himself as a hero to millions in his native Dominican Republic, his hometown of San Pedro de Macoris, and the city of Atlanta, where he was a beloved fan favorite,” the players' association said in its statement . The Braves said Carty left an indelible mark on the organization. “While his on-field accomplishments will never be forgotten, his unforgettable smile and generous nature will be sorely missed,” the team said in its statement. Carty made his big league debut with the Braves in September 1963. He batted .330 with 22 homers and 88 RBIs in his first full season in 1964, finishing second to Dick Allen in voting for NL Rookie of the Year. The Braves moved from Milwaukee to Atlanta after the 1965 season, and Carty got the franchise's first hit in its new home on April 12, 1966, against Pittsburgh. Carty had his best year in 1970, batting .366 with 25 homers and a career-best 101 RBIs. He started the All-Star Game after he was elected as a write-in candidate, joining Willie Mays and Hank Aaron in the NL outfield. Carty batted .299 with 204 homers and 890 RBIs over 15 years in the majors, also playing for Cleveland, Toronto, Oakland, Texas and the Chicago Cubs. He retired after the 1979 season. AP MLB: https://apnews.com/hub/MLBAtletico Madrid, under the guidance of Diego Simeone, will be quietly confident of their chances as they continue to defy expectations and challenge for the league title. With a solid defense and a potent attack, Atletico Madrid will be a team to watch as they look to upset the odds and emerge victorious in the title race.Mystery drone sightings continue in New Jersey and across the US. Here's what we know
“We were probably the only film that continued shooting after demonetisation.” As Joram Director Devashish Makhija’s Chilling Revenge Drama Ajji Turns 7, The Director Reveals Unknown Details From the Shooting. Firstly, the casting of Abhishek Banerjee as the child rapist? The casting of Ajji was quite an unconventional process because I had a casting director which was Abhishek Banerjee and he sort of debuted as a dark character for the first time in my film. If I am not mistaken, I think it was his first feature film. He had done TVF shows before that in which he had done mostly comedy and he was reluctant to play a dark part and we sort of discovered that character together. Yes, he told me how he tried to wriggle out at the last minute. We went through quite an intense and disturbing process to take him over the edge into those dark zones that his character Dhavale goes into. And Sushma Tai (Deshpande), we had considered many actors before this for the lead role of Ajji. But then I was looking for someone who nobody would have seen before on screen and would sort of convince you that she is the Ajji you are seeing on screen and nobody else. How did you find Sushma Deshpande? I was almost ready to cast a non-actor because I had spent years before Ajji trying to set up many feature films that got shelved and after almost a decade of trying to set up feature films, I finally got a chance to get on a set to shoot a film. So I was ready to undertake a very extreme, non-Bombay, non-Hindi cinema, non-mainstream kind of approach. I was willing to sort of break convention and I turned down a lot of options, known faces for Ajji. And then someone told me that there's this Maharashtrian actor who has done 35 years of stage and she's been performing Savitri, Savitri Bai Phule, a one-act performance that she's written and directs and acts in as Savitri, for almost 35 years. So I saw some videos of that performance because she wasn't performing it live at that time. And the videos were really bad, bootlegged, audience videos from really far. And she was very distant on the stage, pixelated videos. But something in those videos about her just triggered some emotions inside me. And we called her to come meet us and she just flatly refused. What?! Yes, she said, I don't like film people. I don't want to meet film people. I don't want to do films. But then Abhishek and I sort of told her that we are not the regular film people and just come and meet us for tea. We'll book you a cab. And if you don't like us, don't do the film. I just really needed to talk to her. It was something that was pulling me to her. And then she came and of course, there was an almost 25-30 year difference between her and me, age difference, but it was love at first sight. We spoke for two and a half hours. And I told her that she's my Ajji and I would like her to play the lead in this film. And she was shocked out of her wit. She's like, Aren't you going to put me on tape, audition me?' I'm like, no, this is not, like I said, the conventional method of making a film. I'm trying to break some rules here because I'm being given a really paltry budget. I'm trying to pull off a miracle. And I want people by my side who can help me pull off the miracle. I need miracle workers. And I think you're one. And that's it. That's how it was cast. It was quite non-filmy if I could say so, the way we went about it. This was a very unusual way of casting. I sort of drew inspiration from the way the Iranian filmmakers of the 70s and 80s have gone about casting and setting up their films. Because it was a really micro-budget and tiny film shot in just eighteen days and also shot against immense odds. Eighteen days?! I know a lot of filmmakers say this about their films. It's a bit of a cliche now, but we didn't have time. I wrote the script while I was prepping and in about two, two and a half months of writing the script and prepping and going crazy, trying to find locations and rewriting scenes as I kept finding the locations. We landed on shoot, I think on the 6th of November, 2016. And on the 8th of November was demonetisation. And I remember I was told that roughly 400 films at that time in the country stopped shooting because nobody could transact in cash. And this was a time when a lot of transactions were happening in cash, then it just became much more streamlined and paper-oriented and white following demonetisation. But on that day, it was immense panic. And if I'm not mistaken, I was told, I don't have exact statistics on this, but I was told that we were probably the only film that continued shooting after demonetisation. Because I had eighteen days to finish it. And I had exactly 18 films before this that I'd seen getting shelved. So I was in absolutely no mood to back down. I was going to make this film even if I died making it. What happened next? So 8th November, I tell everybody, I don't care if we can't transact in cash. I'm going to speak to everybody from the diesel supplier, to the caterer, to the police, to the chawl where we are shooting, to the goons, to the local politicians, whoever needs to be spoken to. But I'm going to beg them, I'm going to sign my life over to them. I'll go to jail if I have to, but don't stop my shoot. Let me finish shoot. And we continued shooting against these really bizarre odds. Even the production team was like stretched to their last thread. So I remember that being one of the biggest challenges of the film, although it was anyway a very difficult film to pull off in that micro-budget and eighteen days. And the fact that it was really physical and here was a 60-plus woman who hadn't done something this demanding of her in the real world before. She's always only taken to the stage for forty years of her life. And she just stood up and was counted like a warrior. She was just always by my side. In a way Sushma Deshpande was the cheerleader of the project. When the team saw that spirit in a 60-year old woman, everyone just fell in line and said if she can do it, so can we. So Ajji was not just Ajji in the film. She was also like that keystone of the making of that film, that guiding light, that commander of my army, even outside of the film. If you had to do the film again? Honestly, if I'm asked today, if I would make Ajji exactly like that, I would refuse. Because I mean, I'm not averse to brutality on screen. But I’ve a larger problem with Ajji today: 2016 is when I made it, 2018 exactly two years after it, November, October, December was the Me Too movement. And I started questioning my gaze around the time of Me Too. And I've been questioning it and recalibrating it and re-navigating my relationship with gender and gender issues and feminism and where I place myself as a man in a world where women are, have constantly been collateral in men fighting men. So I started re-negotiating these things post Me Too. Post Me Too what would you like to change in Ajji? Over the years, I realized with every passing year that I got some things wrong in Ajji. Ultimately, a woman going on that kind of a brutal rape-revenge journey is really sort of manifesting the same male archetype that male rape revenge or male revenge or male vigilante films have perpetuated. So if asked to do that today, I would rewrite this film from scratch and maybe look at it a little differently. What that lens would be, I don't know, I would have to discover it. But somewhere I've started exploring the role of women in stories of systemic violence or gender violence a little differently since. In Joram, I tried to normalise the presence of women in the power structure by showing an MLA who's actually the so-called, if you want to call her that, villain of the set piece, which would otherwise normally be a male domain, a male bastion in a film like that.I made it a woman. And I've been just trying to normalize the presence of women without bringing attention to the fact that look, a woman is doing this. Because I spoke to a lot of women post Ajji and a lot of very strong-minded and feminist women have pointed out certain flaws in Ajji and although they've liked certain things as well. So all those conversations have brought some epiphanies. I'm still on that journey, still trying to find new epiphanies. But no, I would not make Ajji the same way today. And honestly, I have a slightly hard time watching that film today. Well, it is not an easy film to watch? I don't think I can watch it in one go, although I'm the one who made it eight years, seven years ago. No, eight years ago. It got released seven years ago. The other thing about Ajji was that, like I said, ten odd years and eighteen shelved films. Are you joking? Eighteen shelved films? I kid you not. Later, I landed on a film that actually got made and found a release even though nobody went to the theatres to watch it. But it got a ton of critical acclaim in that year when it was released. I didn't expect it to be one of five such woman vigilante, rape revenge kind of films with Mom and Matre and those kind of films releasing before and after and around Ajji. I didn't expect it to cut through that clutter and stick in people's minds. Ajji was miles ahead? So it did feel like maybe we found something that nobody else was being able to find in that space, but its very angry and unstinting kind of sharp voice is something that I could not control because it was coming from the anger that I was carrying, I think, against the system for not giving me a chance, not recognising my voice, not letting my films get made. And I was sitting on a ton of material that nobody was seeing merit in. So that rage somehow just channelled itself through the story of a woman trying to avenge her granddaughter's rape. Maybe if I wasn't carrying the rage of my films not getting made, the film Ajji would not be as raging. Where do you place it in your filmography? I don't know where I place that in my filmography today because I think I have moved away from that rage since not because too many of my films got made. I still struggle. It takes me two to four years to set up each film. And even after Joram, no one really wants to make any of the films that I've written. So my battles haven't changed. But my story started coming out in other forms. I had seven-eight children's books published. I had a book of short stories come out. I had my novel come out. I did a whole lot of other work and I kept making my short films. Whatever little money I make off my really micro-budget features, I keep channelling into my short films and I produce them myself. So in these eight years, I've also made four or five short films and written over a dozen books. So because my stories kept going out there, I feel a lot less rage now against the system that is the auspices under which storytelling operates. I'm not talking about the political system, that rage will never go away. But because I feel less rage now, maybe if I made Ajji now, it would also not be that raging. So I don't know what I really achieved by making such a raging film, because I also think I ended up alienating a lot of people who would have otherwise wishfully entered a film like this one. So I don't consider it my best work, or I don't know where it will land once I finish my life and I have a filmography just before my deathbed. When I'm looking back, I don't know where I'll place it. But right now, I just feel it was a little too raging for its own good. Get Latest News Live on Times Now along with Breaking News and Top Headlines from Bollywood, Entertainment News and around the world.
Living with AIDS: Diana Yañez Rodríguez de Madero, Daughter-in-law of Gustavo Madero MuñozFor aspiring professionals looking to break into the gaming industry, this recruitment drive presents a rare opportunity to join one of the most prestigious and respected developers in the business. Whether you are a seasoned game designer, a talented programmer, a creative writer, or a marketing whiz, R Star is casting a wide net in search of top talent to join their team and help shape the future of gaming.
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63 jili slot
The news of the boy's tragic fate quickly spread throughout the community, sparking an outpouring of shock, grief, and anger. People from all walks of life came together to mourn the loss of a young life taken too soon, with many expressing their outrage at the senseless violence that had befallen their neighborhood.Agnes Flues obituary
In the end, the sudden plummet of Bitcoin and the subsequent liquidations of nearly 570,000 traders served as a stark reminder of the unpredictable nature of the cryptocurrency market. While the future remains uncertain, one thing is clear: the days of smooth sailing for Bitcoin are over, and investors must brace themselves for the choppy waters that lie ahead.
With Exa, the transition from chaotic web searches to a structured and efficient database is seamless. Users are empowered to take control of their online research, streamline their information retrieval process, and unlock the full potential of the vast resources available on the internet. Whether you are a student conducting research, a professional seeking industry insights, or a curious individual exploring new topics, Exa is your partner in transforming information overload into organized knowledge.Recently, the news of the investigation into Nvidia has caused a stir in the tech industry. The company, known for its cutting-edge graphics cards and AI technology, is facing scrutiny over its proposed acquisition of Arm Ltd. Here, we delve into the implications of this investigation and consider what it means for Nvidia and the wider tech landscape.
The Fearless Covenant Ant Esports National Challenge may have come to an end, but the memories, friendships, and lessons learned will endure forever. As we look towards the future, let us continue to support and celebrate the growth of esports, recognizing its potential to unite people from all walks of life in the pursuit of a common passion. Congratulations once again to Team Answers for their remarkable achievement, and may their success inspire countless others to pursue their dreams with courage and determination. The journey to greatness may be challenging, but with dedication, teamwork, and the fearless spirit of champions, anything is possible.The shocking news of a 26-year-old American influencer being kidnapped, murdered, and her body dumped into the sea has sent shockwaves through the online community and beyond. The tragic incident has left many in disbelief and horror, as the search for the victim's body continues amidst growing fears that it may never be found.As the day of the match approaches, anticipation and excitement are building among Atlanta fans and football enthusiasts worldwide. The clash between Atlanta and Real Madrid promises to be a spectacle of skill, strategy, and passion, with both teams eager to prove their worth on the grand stage of European football.
https://arab.news/cvequ President-elect Donald Trump asked the Supreme Court on Friday to pause the potential TikTok ban from going into effect until his administration can pursue a “political resolution” to the issue. The request came as TikTok and the Biden administration filed opposing briefs to the court, in which the company argued the court should strike down a law that could ban the platform by Jan. 19 while the government emphasized its position that the statute is needed to eliminate a national security risk. “President Trump takes no position on the underlying merits of this dispute. Instead, he respectfully requests that the Court consider staying the Act’s deadline for divestment of January 19, 2025, while it considers the merits of this case,” said Trump’s amicus brief, which supported neither party in the case. The filings come ahead of oral arguments scheduled for Jan. 10 on whether the law, which requires TikTok to divest from its China-based parent company or face a ban, unlawfully restricts speech in violation of the First Amendment. Earlier this month, a panel of three federal judges on the US Court of Appeals for the District of Columbia Circuit unanimously upheld the statute, leading TikTok to appeal the case to the Supreme Court. The brief from Trump said he opposes banning TikTok at this junction and “seeks the ability to resolve the issues at hand through political means once he takes office.”
Ratings for BorgWarner BWA were provided by 6 analysts in the past three months, showcasing a mix of bullish and bearish perspectives. Summarizing their recent assessments, the table below illustrates the evolving sentiments in the past 30 days and compares them to the preceding months. Bullish Somewhat Bullish Indifferent Somewhat Bearish Bearish Total Ratings 1 3 2 0 0 Last 30D 0 1 0 0 0 1M Ago 1 0 0 0 0 2M Ago 0 1 1 0 0 3M Ago 0 1 1 0 0 Analysts have recently evaluated BorgWarner and provided 12-month price targets. The average target is $41.5, accompanied by a high estimate of $50.00 and a low estimate of $36.00. This current average has not changed from the previous average price target. Decoding Analyst Ratings: A Detailed Look In examining recent analyst actions, we gain insights into how financial experts perceive BorgWarner. The following summary outlines key analysts, their recent evaluations, and adjustments to ratings and price targets. Analyst Analyst Firm Action Taken Rating Current Price Target Prior Price Target Colin Langan Wells Fargo Lowers Overweight $40.00 $42.00 Ronald Jewsikow Guggenheim Maintains Buy $41.00 $41.00 Edison Yu Deutsche Bank Raises Hold $39.00 $38.00 Ryan Brinkman JP Morgan Lowers Overweight $50.00 $51.00 Chris McNally Evercore ISI Group Raises Outperform $43.00 $39.00 Kash Rangan Goldman Sachs Lowers Neutral $36.00 $38.00 Key Insights: Action Taken: Analysts respond to changes in market conditions and company performance, frequently updating their recommendations. Whether they 'Maintain', 'Raise' or 'Lower' their stance, it reflects their reaction to recent developments related to BorgWarner. This information offers a snapshot of how analysts perceive the current state of the company. Rating: Delving into assessments, analysts assign qualitative values, from 'Outperform' to 'Underperform'. These ratings communicate expectations for the relative performance of BorgWarner compared to the broader market. Price Targets: Analysts predict movements in price targets, offering estimates for BorgWarner's future value. Examining the current and prior targets offers insights into analysts' evolving expectations. To gain a panoramic view of BorgWarner's market performance, explore these analyst evaluations alongside essential financial indicators. Stay informed and make judicious decisions using our Ratings Table. Stay up to date on BorgWarner analyst ratings. Unveiling the Story Behind BorgWarner BorgWarner is a Tier I auto-parts supplier with three operating segments. The air management group makes turbochargers, e-boosters, e-turbos, timing systems, emissions systems, thermal systems, gasoline ignition technology, powertrain sensors, and cabin heaters. The drivetrain and battery systems group produces automatic transmission components, torque management products, battery heaters, battery charging, and battery modules. The e-propulsion segment makes e-motors, power electronics, and software and control modules. The company's largest customers are Ford and Volkswagen at 14% and 11% of 2023 revenue, respectively. Geographically, Europe accounted for 36% of 2023 revenue, while Asia and North America were 34% and 29% apiece. Financial Insights: BorgWarner Market Capitalization Analysis: The company's market capitalization is above the industry average, indicating that it is relatively larger in size compared to peers. This may suggest a higher level of investor confidence and market recognition. Revenue Growth: BorgWarner's revenue growth over a period of 3 months has faced challenges. As of 30 September, 2024, the company experienced a revenue decline of approximately -4.78% . This indicates a decrease in the company's top-line earnings. As compared to competitors, the company encountered difficulties, with a growth rate lower than the average among peers in the Consumer Discretionary sector. Net Margin: The company's net margin is a standout performer, exceeding industry averages. With an impressive net margin of 6.78%, the company showcases strong profitability and effective cost control. Return on Equity (ROE): The company's ROE is a standout performer, exceeding industry averages. With an impressive ROE of 3.82%, the company showcases effective utilization of equity capital. Return on Assets (ROA): BorgWarner's ROA excels beyond industry benchmarks, reaching 1.6% . This signifies efficient management of assets and strong financial health. Debt Management: BorgWarner's debt-to-equity ratio is below the industry average. With a ratio of 0.77 , the company relies less on debt financing, maintaining a healthier balance between debt and equity, which can be viewed positively by investors. What Are Analyst Ratings? Ratings come from analysts, or specialists within banking and financial systems that report for specific stocks or defined sectors (typically once per quarter for each stock). Analysts usually derive their information from company conference calls and meetings, financial statements, and conversations with important insiders to reach their decisions. Some analysts also offer predictions for helpful metrics such as earnings, revenue, and growth estimates to provide further guidance as to what to do with certain tickers. It is important to keep in mind that while stock and sector analysts are specialists, they are also human and can only forecast their beliefs to traders. Breaking: Wall Street's Next Big Mover Benzinga's #1 analyst just identified a stock poised for explosive growth. This under-the-radar company could surge 200%+ as major market shifts unfold. Click here for urgent details . This article was generated by Benzinga's automated content engine and reviewed by an editor. © 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.After being kidnapped for the third time, Dr. Chen found herself in a situation where she was able to escape from her captors and seek help. With the assistance of local authorities, she was able to piece together her true identity and reach out to her family for the first time in years. The moment of hearing her mother's voice on the phone filled Dr. Chen with a sense of relief and joy she had long thought was beyond her reach.
Rico Carty, who won the 1970 NL batting title when he hit a major league-best .366 for the Atlanta Braves, has died. He was 85. Major League Baseball , the players' association and the Braves paid tribute to Carty on social media on Sunday. No further details on Carty's death were provided. “Carty was one of the first groundbreaking Latino stars in the major leagues, and he established himself as a hero to millions in his native Dominican Republic, his hometown of San Pedro de Macoris, and the city of Atlanta, where he was a beloved fan favorite,” the players' association said in its statement . The Braves said Carty left an indelible mark on the organization. “While his on-field accomplishments will never be forgotten, his unforgettable smile and generous nature will be sorely missed,” the team said in its statement. Carty made his big league debut with the Braves in September 1963. He batted .330 with 22 homers and 88 RBIs in his first full season in 1964, finishing second to Dick Allen in voting for NL Rookie of the Year. The Braves moved from Milwaukee to Atlanta after the 1965 season, and Carty got the franchise's first hit in its new home on April 12, 1966, against Pittsburgh. Carty had his best year in 1970, batting .366 with 25 homers and a career-best 101 RBIs. He started the All-Star Game after he was elected as a write-in candidate, joining Willie Mays and Hank Aaron in the NL outfield. Carty batted .299 with 204 homers and 890 RBIs over 15 years in the majors, also playing for Cleveland, Toronto, Oakland, Texas and the Chicago Cubs. He retired after the 1979 season. AP MLB: https://apnews.com/hub/MLBAtletico Madrid, under the guidance of Diego Simeone, will be quietly confident of their chances as they continue to defy expectations and challenge for the league title. With a solid defense and a potent attack, Atletico Madrid will be a team to watch as they look to upset the odds and emerge victorious in the title race.Mystery drone sightings continue in New Jersey and across the US. Here's what we know
“We were probably the only film that continued shooting after demonetisation.” As Joram Director Devashish Makhija’s Chilling Revenge Drama Ajji Turns 7, The Director Reveals Unknown Details From the Shooting. Firstly, the casting of Abhishek Banerjee as the child rapist? The casting of Ajji was quite an unconventional process because I had a casting director which was Abhishek Banerjee and he sort of debuted as a dark character for the first time in my film. If I am not mistaken, I think it was his first feature film. He had done TVF shows before that in which he had done mostly comedy and he was reluctant to play a dark part and we sort of discovered that character together. Yes, he told me how he tried to wriggle out at the last minute. We went through quite an intense and disturbing process to take him over the edge into those dark zones that his character Dhavale goes into. And Sushma Tai (Deshpande), we had considered many actors before this for the lead role of Ajji. But then I was looking for someone who nobody would have seen before on screen and would sort of convince you that she is the Ajji you are seeing on screen and nobody else. How did you find Sushma Deshpande? I was almost ready to cast a non-actor because I had spent years before Ajji trying to set up many feature films that got shelved and after almost a decade of trying to set up feature films, I finally got a chance to get on a set to shoot a film. So I was ready to undertake a very extreme, non-Bombay, non-Hindi cinema, non-mainstream kind of approach. I was willing to sort of break convention and I turned down a lot of options, known faces for Ajji. And then someone told me that there's this Maharashtrian actor who has done 35 years of stage and she's been performing Savitri, Savitri Bai Phule, a one-act performance that she's written and directs and acts in as Savitri, for almost 35 years. So I saw some videos of that performance because she wasn't performing it live at that time. And the videos were really bad, bootlegged, audience videos from really far. And she was very distant on the stage, pixelated videos. But something in those videos about her just triggered some emotions inside me. And we called her to come meet us and she just flatly refused. What?! Yes, she said, I don't like film people. I don't want to meet film people. I don't want to do films. But then Abhishek and I sort of told her that we are not the regular film people and just come and meet us for tea. We'll book you a cab. And if you don't like us, don't do the film. I just really needed to talk to her. It was something that was pulling me to her. And then she came and of course, there was an almost 25-30 year difference between her and me, age difference, but it was love at first sight. We spoke for two and a half hours. And I told her that she's my Ajji and I would like her to play the lead in this film. And she was shocked out of her wit. She's like, Aren't you going to put me on tape, audition me?' I'm like, no, this is not, like I said, the conventional method of making a film. I'm trying to break some rules here because I'm being given a really paltry budget. I'm trying to pull off a miracle. And I want people by my side who can help me pull off the miracle. I need miracle workers. And I think you're one. And that's it. That's how it was cast. It was quite non-filmy if I could say so, the way we went about it. This was a very unusual way of casting. I sort of drew inspiration from the way the Iranian filmmakers of the 70s and 80s have gone about casting and setting up their films. Because it was a really micro-budget and tiny film shot in just eighteen days and also shot against immense odds. Eighteen days?! I know a lot of filmmakers say this about their films. It's a bit of a cliche now, but we didn't have time. I wrote the script while I was prepping and in about two, two and a half months of writing the script and prepping and going crazy, trying to find locations and rewriting scenes as I kept finding the locations. We landed on shoot, I think on the 6th of November, 2016. And on the 8th of November was demonetisation. And I remember I was told that roughly 400 films at that time in the country stopped shooting because nobody could transact in cash. And this was a time when a lot of transactions were happening in cash, then it just became much more streamlined and paper-oriented and white following demonetisation. But on that day, it was immense panic. And if I'm not mistaken, I was told, I don't have exact statistics on this, but I was told that we were probably the only film that continued shooting after demonetisation. Because I had eighteen days to finish it. And I had exactly 18 films before this that I'd seen getting shelved. So I was in absolutely no mood to back down. I was going to make this film even if I died making it. What happened next? So 8th November, I tell everybody, I don't care if we can't transact in cash. I'm going to speak to everybody from the diesel supplier, to the caterer, to the police, to the chawl where we are shooting, to the goons, to the local politicians, whoever needs to be spoken to. But I'm going to beg them, I'm going to sign my life over to them. I'll go to jail if I have to, but don't stop my shoot. Let me finish shoot. And we continued shooting against these really bizarre odds. Even the production team was like stretched to their last thread. So I remember that being one of the biggest challenges of the film, although it was anyway a very difficult film to pull off in that micro-budget and eighteen days. And the fact that it was really physical and here was a 60-plus woman who hadn't done something this demanding of her in the real world before. She's always only taken to the stage for forty years of her life. And she just stood up and was counted like a warrior. She was just always by my side. In a way Sushma Deshpande was the cheerleader of the project. When the team saw that spirit in a 60-year old woman, everyone just fell in line and said if she can do it, so can we. So Ajji was not just Ajji in the film. She was also like that keystone of the making of that film, that guiding light, that commander of my army, even outside of the film. If you had to do the film again? Honestly, if I'm asked today, if I would make Ajji exactly like that, I would refuse. Because I mean, I'm not averse to brutality on screen. But I’ve a larger problem with Ajji today: 2016 is when I made it, 2018 exactly two years after it, November, October, December was the Me Too movement. And I started questioning my gaze around the time of Me Too. And I've been questioning it and recalibrating it and re-navigating my relationship with gender and gender issues and feminism and where I place myself as a man in a world where women are, have constantly been collateral in men fighting men. So I started re-negotiating these things post Me Too. Post Me Too what would you like to change in Ajji? Over the years, I realized with every passing year that I got some things wrong in Ajji. Ultimately, a woman going on that kind of a brutal rape-revenge journey is really sort of manifesting the same male archetype that male rape revenge or male revenge or male vigilante films have perpetuated. So if asked to do that today, I would rewrite this film from scratch and maybe look at it a little differently. What that lens would be, I don't know, I would have to discover it. But somewhere I've started exploring the role of women in stories of systemic violence or gender violence a little differently since. In Joram, I tried to normalise the presence of women in the power structure by showing an MLA who's actually the so-called, if you want to call her that, villain of the set piece, which would otherwise normally be a male domain, a male bastion in a film like that.I made it a woman. And I've been just trying to normalize the presence of women without bringing attention to the fact that look, a woman is doing this. Because I spoke to a lot of women post Ajji and a lot of very strong-minded and feminist women have pointed out certain flaws in Ajji and although they've liked certain things as well. So all those conversations have brought some epiphanies. I'm still on that journey, still trying to find new epiphanies. But no, I would not make Ajji the same way today. And honestly, I have a slightly hard time watching that film today. Well, it is not an easy film to watch? I don't think I can watch it in one go, although I'm the one who made it eight years, seven years ago. No, eight years ago. It got released seven years ago. The other thing about Ajji was that, like I said, ten odd years and eighteen shelved films. Are you joking? Eighteen shelved films? I kid you not. Later, I landed on a film that actually got made and found a release even though nobody went to the theatres to watch it. But it got a ton of critical acclaim in that year when it was released. I didn't expect it to be one of five such woman vigilante, rape revenge kind of films with Mom and Matre and those kind of films releasing before and after and around Ajji. I didn't expect it to cut through that clutter and stick in people's minds. Ajji was miles ahead? So it did feel like maybe we found something that nobody else was being able to find in that space, but its very angry and unstinting kind of sharp voice is something that I could not control because it was coming from the anger that I was carrying, I think, against the system for not giving me a chance, not recognising my voice, not letting my films get made. And I was sitting on a ton of material that nobody was seeing merit in. So that rage somehow just channelled itself through the story of a woman trying to avenge her granddaughter's rape. Maybe if I wasn't carrying the rage of my films not getting made, the film Ajji would not be as raging. Where do you place it in your filmography? I don't know where I place that in my filmography today because I think I have moved away from that rage since not because too many of my films got made. I still struggle. It takes me two to four years to set up each film. And even after Joram, no one really wants to make any of the films that I've written. So my battles haven't changed. But my story started coming out in other forms. I had seven-eight children's books published. I had a book of short stories come out. I had my novel come out. I did a whole lot of other work and I kept making my short films. Whatever little money I make off my really micro-budget features, I keep channelling into my short films and I produce them myself. So in these eight years, I've also made four or five short films and written over a dozen books. So because my stories kept going out there, I feel a lot less rage now against the system that is the auspices under which storytelling operates. I'm not talking about the political system, that rage will never go away. But because I feel less rage now, maybe if I made Ajji now, it would also not be that raging. So I don't know what I really achieved by making such a raging film, because I also think I ended up alienating a lot of people who would have otherwise wishfully entered a film like this one. So I don't consider it my best work, or I don't know where it will land once I finish my life and I have a filmography just before my deathbed. When I'm looking back, I don't know where I'll place it. But right now, I just feel it was a little too raging for its own good. Get Latest News Live on Times Now along with Breaking News and Top Headlines from Bollywood, Entertainment News and around the world.
Living with AIDS: Diana Yañez Rodríguez de Madero, Daughter-in-law of Gustavo Madero MuñozFor aspiring professionals looking to break into the gaming industry, this recruitment drive presents a rare opportunity to join one of the most prestigious and respected developers in the business. Whether you are a seasoned game designer, a talented programmer, a creative writer, or a marketing whiz, R Star is casting a wide net in search of top talent to join their team and help shape the future of gaming.
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