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Home | News | Opinion Renaissance Of Handcrafts In A Digital World Opinion: Renaissance of handcrafts in a digital world Resurgence of crafts in a digital world is about creating a conscious economy that respects resources By Telangana Today Published Date - 29 December 2024, 10:30 PM By Viiveck Verma One might argue that in a world of digital innovation and artificial intelligence, the return to traditional craftsmanship might seem paradoxical, yet it has gained momentum as consumers and creators alike seek connection, authenticity, and sustainability in an era of rapid consumption. Once viewed as remnants of a bygone era, handcrafts are witnessing a renaissance as artisans and enthusiasts rekindle the value of skills passed down through generations. This revival isn’t just a nostalgic nod to the past; it represents a growing awareness of the social, economic and environmental potential of craftsmanship in a world that increasingly prizes speed and convenience over substance and soul. Also Read Opinion: Preserve human touch with AI Opinion: Learning from nature Opinion: AI for self-betterment Deep Connect The current demand for handcrafted goods is fueled, in part, by a reaction to the digital saturation that has reshaped modern life. In a society where mass-produced items flood the market and the pace of consumption outpaces any sort of reflection, handmade items offer an appealing counterbalance. They embody uniqueness, with each piece marked by the subtle imperfections that make it genuinely one-of-a-kind. Handcrafted products allow buyers to establish a deeper connection with their purchases, knowing that they are supporting an artisan’s skill, effort and personal touch. This quest for connection is particularly evident in sectors of fashion, home decor and culinary arts, where customers are increasingly willing to pay a premium for items that reflect craftsmanship over mechanical precision. A meticulously hand-stitched leather bag or a bespoke piece of furniture speaks volumes in a world where nearly everything is plucked from an assembly line. People are drawn to the idea of owning something that requires time, care and expertise, qualities that machines, for all their efficiency, struggle to replicate. Economic Empowerment Craftsmanship is, at its core, a cultural and historical repository, preserving traditional techniques, local materials, and native designs. The global resurgence of handcrafted goods has allowed artisans to reclaim their cultural heritage, often transforming it into economic empowerment. Take, for example, the resurgence of demand for Japanese indigo dyeing or India’s intricate block-printing techniques. These crafts not only embody the history and traditions of their regions but also provide livelihoods in areas where other economic opportunities may be scarce. Brands must ensure that their partnerships with artisans are equitable and respect the labour-intensive nature of true craftsmanship Countries around the world are recognising this value. In Mexico, the government has implemented initiatives to preserve traditional crafts like Oaxacan weaving and Alebrije carving, while in Africa, organisations are investing in handwoven textiles to support local economies. These initiatives do so much more than sustain age-old practices. They allow communities to thrive and maintain a unique identity in a globalised world. In fact, it’s not unusual now to find designers, both local and international, collaborating with indigenous artisans to incorporate traditional elements into modern designs, creating pieces that are both timeless and contemporary. However, while this trend benefits artisans, it also raises ethical considerations. As the demand for handcrafted goods rises, artisans face pressure to produce at a pace that matches mill production, thus contradicting the philosophy of craftsmanship itself. Brands looking to capitalise on the appeal of ‘authenticity’ must tread carefully, ensuring that their partnerships with artisans are equitable and respect the time and labour-intensive nature of true craftsmanship. Otherwise, the industry risks undermining the very principles it aims to uphold. Tech Advantage It may seem that technology is the antithesis of traditional craftsmanship, but the digital age has, paradoxically, been a powerful enabler for the craft revival. Social media platforms like Instagram and Etsy have provided artisans with visibility and a global audience previously unimaginable. Artisans can now share their processes, tell their stories, and showcase their work to consumers across the world, bridging the gap between creator and consumer without the expense of moving themselves or their work. This democratisation of art and craft has allowed small, independent artisans to find buyers from across the globe, who appreciate their work, sidestepping the need for intermediaries and allowing for more direct and profitable transactions. Technology has also enhanced collaboration between artisans and designers across borders. Digital tools enable designers to experiment with traditional motifs, adapting them into new forms with hybrid aesthetics that appeal to modern tastes. However, the question remains: to what extent can digital tools coexist with or enhance traditional craftsmanship without diluting it? There is a fine line between innovation and appropriation, and as the craft industry expands, it must navigate this balance carefully. While technology facilitates access and expands markets, the essence of craftsmanship, the focus on skill, patience, and artistry, must not be compromised. Automation can certainly replicate techniques, but it cannot capture the human intention behind each individual creation. A handcrafted object possesses an emotional resonance precisely because it was made by human hands, a quality that cannot be digitised. Sustainable Consumption The revival of craftsmanship dovetails with the increasing consumer awareness around sustainability. The fashion and home goods industries, notorious for their environmental impact, are under scrutiny as consumers seek more eco-friendly options. Handcrafted goods, with their emphasis on quality and durability, offer an appealing alternative to fast fashion and disposable decor. Products made by artisans tend to be designed for longevity rather than obsolescence, contributing to a more sustainable consumption model. For instance, a handwoven rug made with natural dyes or a piece of pottery crafted from local clay typically has a lower carbon footprint than its mass-produced equivalents. Artisans are often more in tune with sustainable practices, sourcing materials locally and producing in small batches, avoiding overproduction. The craft revival isn’t merely about celebrating tradition; it’s about creating a conscious, circular economy that respects resources and values durability over trend-driven consumption. As the digital world accelerates, the slow, methodical pace of craftsmanship offers a welcome counterpoint. For all the advancements in technology, the resurgence of traditional crafts reveals a universal human truth: people crave meaning and connection in their lives. Craftsmanship, with its emphasis on skill, artistry and cultural resonance, offers a tactile and emotional depth that digital products often lack. Yet, as this revival continues, it is crucial to protect the integrity of traditional crafts, ensuring they are not commodified to the point of losing their authenticity. (The author is the founder & CEO, Upsurge Global, co-founder, Global Carbon Warriors, and Adjunct Professor, EThames College) Follow Us : Tags Handcrafts Opinion Viiveck Verma Related News Opinion: Integrate geocaching with green Opinion: Ambition and well-being Opinion: Embrace imperfection Opinion: Learning from nature"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum." Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC "Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" Thanks for your interest in Kalkine Media's content! To continue reading, please log in to your account or create your free account with us.
Lightchain AI Price Prediction for 2030 & 2040 Will RXS Stand the Test of Time?
Tandy Leather Factory Announces Agreement to Sell Headquarters Facilities
SKorea arrests ex-defence minister over martial lawArsenal centre-back William Saliba has committed his future to Arsenal amidst speculation that Real Madrid could make a move for the 23-year-old. The Gunners have experienced somewhat of a resurgence in the Premier League over the past three games, with emphatic wins against Sporting Lisbon, West Ham United and Manchester United bolstering confidence amongst fans and players. Indeed, the club had fallen nine points behind first-placed Liverpool in the race for the Premier League title, but they managed to reduce that gap to seven points after their 2-0 win against Man United on Wednesday. There was more good news for Gunners fans after defender Saliba confirmed that he does indeed envisage himself staying in North London with Mikel Arteta for some time. When asked about whether he sees his future at Arsenal during a trip to Ashmount Primary School in Islington, the centre-back told reporters: "Yeah of course, I feel at home. I signed for the club five years ago but it's only my third season and I'm enjoying everything - the players, the staff and the fans. I feel at home so of course, why not?" Saliba found the back of the net against Man United from a corner, and helped his side keep their fifth clean sheet in 14 Premier League fixtures. However, Arsenal have already conceded 14 times in the top flight this term and are on track to concede 38 goals, nine more than they did in 2023-24. It should be noted that Arteta's side have been reduced to 10 men in three separate league matches this season, including against Bournemouth on October 19 , a match in which Saliba himself was sent off in the first half. The centre-back has acknowledged the need to improve, saying: "Since we've been back, we've been playing better football and we have to keep going. We're so happy to be scoring goals but we concede a lot of goals, as well. "It's not good enough, especially last weekend [ against West Ham ] when we were winning 4-0, we didn't have to concede two goals just after. I think we have to do much better defensively." The Gunners have the opportunity to close the gap on leaders Liverpool to just four points on Sunday should they defeat Fulham , but Liverpool would have a game in hand. Additionally, if 90 points is seen as a benchmark for winning the title, then Arteta's team would need to average 2.6 points per game from now until the end of the season, a figure that would be the equivalent of 98 points over the course of an entire campaign. The Arsenal boss has faced more criticism this season, especially in light of the fact that Arne Slot 's Reds have been the ones to so far take advantage of champions Manchester City's struggles in 2024-25. Despite the difficulties the Gunners face, Saliba has not given up hope of trumping Liverpool to the title, telling reporters: "Everything is possible. The season is very long and we've experienced that in the past two years. We just have to focus on ourselves, we are still only in December so there are still a lot of things that can happen. "We have to win some trophies. We haven't done it yet but we will give everything to achieve that."
NoneAP News Summary at 6:54 p.m. EST
George Kresge Jr., who wowed talk show audiences as the The Amazing Kreskin, dies
Apple working to support Sony’s VR controllers on Vision ProTrump promises to end birthright citizenship: What is it and could he do it?
Scheifele scores as the Jets beat the Blackhawks 4-2 in Sorensen's first gameOnline child exploitation spiked during lockdowns. Police worry it’s here to stayBlockchain Unleashed: Explore NOW Chain's Mainnet With mobiNODE Available NOW!IoBM’s 27th Convocation: Celebrating the Leaders of Tomorrow
Home | News | Opinion Renaissance Of Handcrafts In A Digital World Opinion: Renaissance of handcrafts in a digital world Resurgence of crafts in a digital world is about creating a conscious economy that respects resources By Telangana Today Published Date - 29 December 2024, 10:30 PM By Viiveck Verma One might argue that in a world of digital innovation and artificial intelligence, the return to traditional craftsmanship might seem paradoxical, yet it has gained momentum as consumers and creators alike seek connection, authenticity, and sustainability in an era of rapid consumption. Once viewed as remnants of a bygone era, handcrafts are witnessing a renaissance as artisans and enthusiasts rekindle the value of skills passed down through generations. This revival isn’t just a nostalgic nod to the past; it represents a growing awareness of the social, economic and environmental potential of craftsmanship in a world that increasingly prizes speed and convenience over substance and soul. Also Read Opinion: Preserve human touch with AI Opinion: Learning from nature Opinion: AI for self-betterment Deep Connect The current demand for handcrafted goods is fueled, in part, by a reaction to the digital saturation that has reshaped modern life. In a society where mass-produced items flood the market and the pace of consumption outpaces any sort of reflection, handmade items offer an appealing counterbalance. They embody uniqueness, with each piece marked by the subtle imperfections that make it genuinely one-of-a-kind. Handcrafted products allow buyers to establish a deeper connection with their purchases, knowing that they are supporting an artisan’s skill, effort and personal touch. This quest for connection is particularly evident in sectors of fashion, home decor and culinary arts, where customers are increasingly willing to pay a premium for items that reflect craftsmanship over mechanical precision. A meticulously hand-stitched leather bag or a bespoke piece of furniture speaks volumes in a world where nearly everything is plucked from an assembly line. People are drawn to the idea of owning something that requires time, care and expertise, qualities that machines, for all their efficiency, struggle to replicate. Economic Empowerment Craftsmanship is, at its core, a cultural and historical repository, preserving traditional techniques, local materials, and native designs. The global resurgence of handcrafted goods has allowed artisans to reclaim their cultural heritage, often transforming it into economic empowerment. Take, for example, the resurgence of demand for Japanese indigo dyeing or India’s intricate block-printing techniques. These crafts not only embody the history and traditions of their regions but also provide livelihoods in areas where other economic opportunities may be scarce. Brands must ensure that their partnerships with artisans are equitable and respect the labour-intensive nature of true craftsmanship Countries around the world are recognising this value. In Mexico, the government has implemented initiatives to preserve traditional crafts like Oaxacan weaving and Alebrije carving, while in Africa, organisations are investing in handwoven textiles to support local economies. These initiatives do so much more than sustain age-old practices. They allow communities to thrive and maintain a unique identity in a globalised world. In fact, it’s not unusual now to find designers, both local and international, collaborating with indigenous artisans to incorporate traditional elements into modern designs, creating pieces that are both timeless and contemporary. However, while this trend benefits artisans, it also raises ethical considerations. As the demand for handcrafted goods rises, artisans face pressure to produce at a pace that matches mill production, thus contradicting the philosophy of craftsmanship itself. Brands looking to capitalise on the appeal of ‘authenticity’ must tread carefully, ensuring that their partnerships with artisans are equitable and respect the time and labour-intensive nature of true craftsmanship. Otherwise, the industry risks undermining the very principles it aims to uphold. Tech Advantage It may seem that technology is the antithesis of traditional craftsmanship, but the digital age has, paradoxically, been a powerful enabler for the craft revival. Social media platforms like Instagram and Etsy have provided artisans with visibility and a global audience previously unimaginable. Artisans can now share their processes, tell their stories, and showcase their work to consumers across the world, bridging the gap between creator and consumer without the expense of moving themselves or their work. This democratisation of art and craft has allowed small, independent artisans to find buyers from across the globe, who appreciate their work, sidestepping the need for intermediaries and allowing for more direct and profitable transactions. Technology has also enhanced collaboration between artisans and designers across borders. Digital tools enable designers to experiment with traditional motifs, adapting them into new forms with hybrid aesthetics that appeal to modern tastes. However, the question remains: to what extent can digital tools coexist with or enhance traditional craftsmanship without diluting it? There is a fine line between innovation and appropriation, and as the craft industry expands, it must navigate this balance carefully. While technology facilitates access and expands markets, the essence of craftsmanship, the focus on skill, patience, and artistry, must not be compromised. Automation can certainly replicate techniques, but it cannot capture the human intention behind each individual creation. A handcrafted object possesses an emotional resonance precisely because it was made by human hands, a quality that cannot be digitised. Sustainable Consumption The revival of craftsmanship dovetails with the increasing consumer awareness around sustainability. The fashion and home goods industries, notorious for their environmental impact, are under scrutiny as consumers seek more eco-friendly options. Handcrafted goods, with their emphasis on quality and durability, offer an appealing alternative to fast fashion and disposable decor. Products made by artisans tend to be designed for longevity rather than obsolescence, contributing to a more sustainable consumption model. For instance, a handwoven rug made with natural dyes or a piece of pottery crafted from local clay typically has a lower carbon footprint than its mass-produced equivalents. Artisans are often more in tune with sustainable practices, sourcing materials locally and producing in small batches, avoiding overproduction. The craft revival isn’t merely about celebrating tradition; it’s about creating a conscious, circular economy that respects resources and values durability over trend-driven consumption. As the digital world accelerates, the slow, methodical pace of craftsmanship offers a welcome counterpoint. For all the advancements in technology, the resurgence of traditional crafts reveals a universal human truth: people crave meaning and connection in their lives. Craftsmanship, with its emphasis on skill, artistry and cultural resonance, offers a tactile and emotional depth that digital products often lack. Yet, as this revival continues, it is crucial to protect the integrity of traditional crafts, ensuring they are not commodified to the point of losing their authenticity. (The author is the founder & CEO, Upsurge Global, co-founder, Global Carbon Warriors, and Adjunct Professor, EThames College) Follow Us : Tags Handcrafts Opinion Viiveck Verma Related News Opinion: Integrate geocaching with green Opinion: Ambition and well-being Opinion: Embrace imperfection Opinion: Learning from nature"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum." Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC "Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" Thanks for your interest in Kalkine Media's content! To continue reading, please log in to your account or create your free account with us.
Lightchain AI Price Prediction for 2030 & 2040 Will RXS Stand the Test of Time?
Tandy Leather Factory Announces Agreement to Sell Headquarters Facilities
SKorea arrests ex-defence minister over martial lawArsenal centre-back William Saliba has committed his future to Arsenal amidst speculation that Real Madrid could make a move for the 23-year-old. The Gunners have experienced somewhat of a resurgence in the Premier League over the past three games, with emphatic wins against Sporting Lisbon, West Ham United and Manchester United bolstering confidence amongst fans and players. Indeed, the club had fallen nine points behind first-placed Liverpool in the race for the Premier League title, but they managed to reduce that gap to seven points after their 2-0 win against Man United on Wednesday. There was more good news for Gunners fans after defender Saliba confirmed that he does indeed envisage himself staying in North London with Mikel Arteta for some time. When asked about whether he sees his future at Arsenal during a trip to Ashmount Primary School in Islington, the centre-back told reporters: "Yeah of course, I feel at home. I signed for the club five years ago but it's only my third season and I'm enjoying everything - the players, the staff and the fans. I feel at home so of course, why not?" Saliba found the back of the net against Man United from a corner, and helped his side keep their fifth clean sheet in 14 Premier League fixtures. However, Arsenal have already conceded 14 times in the top flight this term and are on track to concede 38 goals, nine more than they did in 2023-24. It should be noted that Arteta's side have been reduced to 10 men in three separate league matches this season, including against Bournemouth on October 19 , a match in which Saliba himself was sent off in the first half. The centre-back has acknowledged the need to improve, saying: "Since we've been back, we've been playing better football and we have to keep going. We're so happy to be scoring goals but we concede a lot of goals, as well. "It's not good enough, especially last weekend [ against West Ham ] when we were winning 4-0, we didn't have to concede two goals just after. I think we have to do much better defensively." The Gunners have the opportunity to close the gap on leaders Liverpool to just four points on Sunday should they defeat Fulham , but Liverpool would have a game in hand. Additionally, if 90 points is seen as a benchmark for winning the title, then Arteta's team would need to average 2.6 points per game from now until the end of the season, a figure that would be the equivalent of 98 points over the course of an entire campaign. The Arsenal boss has faced more criticism this season, especially in light of the fact that Arne Slot 's Reds have been the ones to so far take advantage of champions Manchester City's struggles in 2024-25. Despite the difficulties the Gunners face, Saliba has not given up hope of trumping Liverpool to the title, telling reporters: "Everything is possible. The season is very long and we've experienced that in the past two years. We just have to focus on ourselves, we are still only in December so there are still a lot of things that can happen. "We have to win some trophies. We haven't done it yet but we will give everything to achieve that."
NoneAP News Summary at 6:54 p.m. EST
George Kresge Jr., who wowed talk show audiences as the The Amazing Kreskin, dies
Apple working to support Sony’s VR controllers on Vision ProTrump promises to end birthright citizenship: What is it and could he do it?
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