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Sir Keir Starmer has been warned his ratings have suffered a “catastrophic” angered by his “family farm tax”. Just one in five voters believes Labour cares about people who live and work in the countryside, polling for The Telegraph has found. A survey of more than 2,000 adults conducted by Public First, the political consultancy, found only 22 per cent . Even among those who voted for Labour at the most recent general election, this only rose to two in five (40 per cent). “Labour’s ratings with all voters are very poor at the moment, but with rural voters they are catastrophic,” said James Frayne, a partner at Public First. Mr Frayne added: “To some extent they might have expected that with countryside voters, having had all the negative coverage. But they might be somewhat surprised by the developing vitriol which now seems to be absolutely commonplace.” It comes after a string of unpopular policy decisions, including changes to Agricultural Property Relief (APR) , which farmers claim will put many out of business. From April 2026, farms worth more than £1 million will be subject to a 20 per cent levy, half the usual inheritance tax rate. Rural groups have argued that the £1 million threshold will hit the majority of working family farms, asset-rich but cash-poor, instead of targeting . On Saturday, Paul Nowak, general secretary of the Trade Union Congress, became the first major union boss to speak out against the policy, saying he was “worried” about the impact changes to APR will have on small farmers. “You wouldn’t want the policy to impact on small family farms, because that was never the intention,” he told The Independent. “The onus will be on the Government to demonstrate that this it will have. I know that for some small employers, national insurance contributions will also be a worry next year, particularly for those companies operating on small profit margins.” Public First also found that voters believed the Green Party cared about the countryside more than Labour. Asked which political parties best understood the lives of those who live and work in the countryside, the most popular answer was the Conservative Party, followed by Reform. The Green Party – which is usually popular in urban, cosmopolitan areas – came third, followed by Labour in fourth place with 19 per cent. Only the Liberal Democrats trailed Labour, with 12 per cent. Separate analysis by the Countryside Alliance found that there are now many of whom were elected with a slim majority. “People put a blind faith in the Labour Party [at the election],” Mr Frayne said. “There are many constituencies Labour had very little history in having representation in the past. “People just thought it can’t be any worse but many have been surprised that actually it is worse. is really quite something.” Public First also carried out a series of in-depth interviews as part of their qualitative research into how rural voters felt about the Government. Speaking to voters in the rural constituency of Banbury, at the edge of the Cotswolds, they found that most felt Labour had had a rocky start in government and that not enough had changed – but many felt it was still too early to draw firm conclusions. Ian Deacon, a former Conservative voter in his sixties, decided to vote Labour at the last election. He said he now felt it was a “wasted vote”. He told researchers: “The Conservatives had to get out because they were lost. But maybe we should have gone down a different route.” He added that if there was an election tomorrow, Mr Deacon, who works in the water sector, went on to say: “I don’t think that they’re really targeting anybody – I don’t think they know who to target. They’ve got into power and I don’t think they really had a plan.” Meanwhile, Ian Haynes, an ex-Conservative who voted for Reform at the last election, said he stood by his decision since the Tories had “lost their way” and “I don’t hear any sensible arguments against what Labour’s doing”. Judy Carter, a teacher who voted for Labour, said: “If you’re trying to make a more equitable society, we’ve all got to take a share of the cuts, and up to now, the farmers have not taken any cuts. “So I understand they may think it’s unfair, but I believe the numbers of people actually going to be affected by the tax is not that great.” Another ex-Tory voter who voted for Labour in the last election said he thought it was going “terribly” for the Government. He said the Chancellor’s maiden Budget was not a “Budget for growth”, as she had termed it but a “Budget for absolute decline”. He added: “ is crippling. If you put together a small business owner probably has children at private schools. The VAT on top is ludicrous.” A Government spokesman said: “Our commitment to farmers remains steadfast – we have committed £5 billion to the farming budget over two years, including more money than ever for sustainable food production, and we are developing a 25-year farming roadmap, focusing on how to make the sector more profitable in the decades to come. “Our reform to Agricultural and Business Property Relief will impact around 500 estates a year. “For these estates, inheritance tax will be at half the rate paid by others, with 10 years to pay the liability back, interest-free. This is a fair and balanced approach which fixes the public services we all rely on.”
New trains already five years old as first trip arrives
What's On Tap in Chicago Bulls news ? Welcome to the 55th edition of "Tasting Flight," a daily newsletter to keep fans updated on all the latest news in Bulls Nation. Patrick Williams Trade Possibilities Sunday's edition of the Bulls On Tap Tasting Flight featured reporting on the Bulls being open to trading forward Patrick Williams. If they decide to move on, what could a deal look like? On Tap Sports Net's Alejandro Delgado mocked up three trades taking into account the Bulls' and potential suitors' needs. Defense Will Be Optional in Washington As the Bulls prepare to visit the Washington Wizards on Tuesday, Chicago Sports Network's K.C. Johnson shared ugly defensive rankings for both squads. Defensive ranks for Tuesday’s NBA Cup matchup in Washington D.C. Defensive rating: Bulls 28th, Wizards 30th Opponent points per game: Bulls 30th, Wizards 29th Opponent FG%: Bulls 30th, Wizards 24th Lonzo Ball , Julian Phillips Injury Updates Johnson also reported that Lonzo Ball will travel with the Bulls on their two-game road trip and Julian Phillips was cleared to return to practice. Lonzo Ball will travel on two-game trip and Billy Donovan, who witnessed Ball’s workout today, said he’s encouraged by Ball’s progress. Julian Phillips, who missed last game due to illness, returned to practice. Happy Birthday Talen Horton-Tucker ! Bulls guard Talen Horton-Tucker celebrates his 24th birthday on Nov. 25, 2024. Happy Birthday, THT! pic.twitter.com/G6sFj39rOp This article first appeared on On Tap Sports Net and was syndicated with permission.
DPR Ian, one of the most eclectic and captivating artists in contemporary music, reveals himself in a small backstage room at Milan’s Fabrique. After a Q&A session with fans, the charged atmosphere of excitement dissolves into a surreal intimacy: Ian sits on a worn-out couch, enveloped in a calm that starkly contrasts with the intensity he brings to the stage. There’s nothing contrived about his demeanor—only a natural elegance that makes him instantly approachable yet intriguingly enigmatic. Christian Yu, better known as DPR Ian, is an artist who defies conventional definitions. Born in Australia, he has carved out a unique place in the South Korean music scene, emerging as a standout figure within the creative collective Dream Perfect Regime (DPR). A singer, director, producer, and visionary, Ian doesn’t just create music—he constructs entire worlds. His artistic universe is inhabited by characters that embody his inner conflicts and emotional complexity. There’s MiTo, the vulnerable, melancholic side, and Insanity, the incarnation of chaos, anger, and contradiction. Both come alive in his songs, videos, and performances, as if they are integral, living pieces of an inseparable whole. During the interview, Ian doesn’t present himself as merely a successful musician but as a storyteller of universal emotions and experiences. Every response seems deliberate yet unforced as if each word is chosen with the precision of someone who understands that honesty is the key to truly connecting with others. Ian speaks with a sincerity that borders on poetic, and his words are thoughtful yet never artificial. The conversation unfolds with an effortless flow, weaving between intimate reflections and lighter moments. The atmosphere in the room shifts gradually: what begins as a standard Q&A transforms into a profound dialogue, almost like a meeting of souls. The divide between artist and interviewer dissolves, replaced by a shared sense of understanding and vision. DPR Ian speaks about music as though it were a natural extension of his existence, a medium through which he explores and gives form to his emotions. Each word carries weight, but it’s never burdensome or pretentious. There is a perfect balance between the gravity of the themes he touches on and the ease with which he expresses them—a rare ability that defines him not just as an artist but as an extraordinary communicator. Next to him on the couch, DPR Cream and DPR Arctic are part of the collective. Their presence fosters a sense of camaraderie and mutual support, cultivating an atmosphere that feels both familiar and genuine. The authentic bond that links them is palpable, adding to the moment's significance. The most extraordinary moment arrives at the end when Ian asks to learn a few words in Italian amidst laughter and a spontaneous hug. In that instant, the interview transcends its original purpose, becoming a uniquely human experience. The hug that concludes the meeting isn’t just a gesture of politeness but a tangible demonstration of a connection that goes beyond words. DPR Ian is not just a well-rounded artist; he is a soul capable of transforming every encounter into an unforgettable moment and leaving behind a lasting impression. His music isn’t merely a soundtrack—it’s a visual, emotional, and intellectual narrative, an experience that surpasses the boundaries of listening alone. Anyone who chooses to explore this world doesn’t just step into Ian’s mind but into an entire universe. A place where reality and imagination intertwine, leaving a mark that belongs to everyone who decides to immerse themselves in the art of DPR. Here is our interview. How does it feel to perform in Milan as part of The Dream Reborn tour? IAN: "For me, it's incredible. I came to Milan last year for a fashion show, and I didn’t even know we had fans here. When I found out, I promised myself I’d come back and do a show. I’m so happy. Italian fans are incredibly passionate, and I can feel all their energy." What does the DPR collective represent for you, both personally and artistically? IAN: "DPR is deeply personal to me. It’s not just a collective—it’s a reason to live. It’s such an important, monumental part of my life that it defines who I am. It’s tied to everything: my family, my friends, and my purpose. It gives me direction and continuously shapes the person I want to become." Can you share a particularly powerful or surreal moment you've had on stage? IAN: "Every city brings something unique. Fans react differently depending on the culture, and that makes every performance interesting. For instance, in Mexico, the crowd was massive, around 19-20,000 people, but even smaller shows have been just as intense. Some cities, like Warsaw, surprised me with the passion of the fans. In Milan, fans already seem very enthusiastic yet composed, and I can’t wait to see how they’ll let loose during the show." What is your creative process when building a narrative for your songs and performances? IAN: "For me, everything starts with honesty. It has to be personal, or it just doesn’t work. The narrative I build always reflects what I’m experiencing at the moment or what I’ve been through in the past year. I believe the best way to tell an authentic story is to draw from personal experiences—only then can it feel real and meaningful. My creative process involves exposing myself to new experiences. I love watching musicals or shows like Cirque du Soleil because they offer visual and narrative stimuli I wouldn’t get if I stayed in my comfort zone. I’m always looking for something new to see, something to enrich my creative toolkit. It’s crucial for me not to recycle the same ideas. If I don’t continually add ‘new books’ to my creative library, I risk repeating myself, and that can block inspiration. I also try to live every experience with full awareness. I like to be completely present, absorb every detail, and take something meaningful from it. That’s where my stories come from." Many of your songs delve into complex emotions and introspection and touch on one of the most important topics in modern society: mental health. Is there a song that represents a personal turning point or revelation for you? IAN: "Yes, I think one of the songs that marked a turning point for me was Seraph . The title itself refers to the Seraph, the highest rank in the angelic hierarchy, closest to God. It should symbolize immense power, but in the context of the song, I chose to tell a different story. In Seraph , I play a character who was once a Seraph—strong, divine, unshakable—but who has lost that power. I used the image of burning wings as a metaphor for that sense of falling, of losing the strength and abilities I once believed were unbreakable. For me, this song reflects a time when I felt completely disconnected from the strongest version of myself. However, I realized that going through that darkness was essential. You know what they say: you have to face the worst to truly appreciate your best. It was a significant turning point in my life and music. Writing Seraph was challenging but necessary because I wanted it to be honest and authentic." How do you stay connected to your artistic identity despite the pressures of touring, constantly traveling, and continuing to create new music? IAN: "I won’t lie; I still struggle. I don’t think I’ve ever found a clear balance. There are days when Cream, Artic, and I are in sync, and others when we’re not. The rhythm of touring is incredibly hectic—you’re in a new city every two days on average, with a new audience and new energy to face. This creates constant stimulation, but at the same time, the traveling is hard to process or fully live in the moment. You almost never have time to adjust or process what you’re feeling. And that’s crucial for many people: having the time to ground themselves and understand their emotions. Trying to maintain a sense of stability with such an intense schedule is a huge challenge. Honestly, I don’t know how anyone manages it. If someone has an answer, please, let me know." Can you tell us about your recent social media blackout? How important is it, in your opinion, for an artist—or anyone—to disconnect? IAN: "That’s a great and important question, thank you. In my life, I’ve always been clear about being open about what I go through as a human being, not just as an artist. This is important because we need to separate the idea that artists are not human. As time goes on, we see how people place idols on pedestals, but in doing so, it becomes strange to see someone being sick or sad. But artists are people, so it’s important that, while some people may want to build these fantasy images of who they idolize, we also normalize that these artists are human. By doing so, you create a healthy distinction: you admire their art, not their perfection. That’s the ground I want to build on, because in the end, you see the artist for what they are—someone who creates art—and that’s the definition of an artist: someone who challenges their reality and shares their art with others, whether you’re a fan or not." He pauses, smiling. Completely at ease, he continues to share his thoughts without pretense. "For me, being vulnerable and open isn’t something I do because I want to, but because... why not? It would feel strange to me to only show my strength and not my weakness. But at the same time, if I were someone who only showed the dark side, I think it would promote an unhealthy way of addressing mental health. You have to show what you’re dealing with and how you’re fighting it. Because in that way, if I fight and show I’m getting better—if I’m winning—it means anyone else can do the same. That’s why I open up, because it’s also a new challenge for me. If I announce my ideas to the world, like my ‘five-minute rule,’ which means you’re only allowed to stay in your head for five minutes—no longer—and then you move on, I have to live by that, or I’d be a hypocrite. And I don’t like being one. So I deliberately force myself to expose a certain part of myself, then step back to show how I process it. For example, when I deactivated my Instagram, I knew I was overstimulated or getting manic. It’s something you see all the time: celebrities going through an episode and speaking out before they’ve healed, which only makes things worse." He leans forward, looking at us. "They call it the ‘devil’s tongue,’ right?" I nod. "When it happens to me, I disconnect from everything until I’ve healed. Then I come back. It’s something I’ve learned over time. I’ve made mistakes in the past, like going live when I wasn’t in the right place, but now I know you can choose what you share with people. You don’t have to show your most damaged side all the time. Some things should stay private, for your own care. So when I feel an episode coming, I step back. Especially during a tour, I can’t afford to compromise anything. I’m here to do a job, and I don’t want that to become an issue. Now that I’m older, I understand that social opinions don’t really matter much, even if they can be harsh. But that’s reality. I’m sure you, as a journalist, know what I mean." I smile, nodding again with a sigh. He laughs, and we exchange stories for a moment before resuming. If you had to describe your music to someone who has never heard it before, how would you define it? IAN: "For me, it’s a dream state. A fever dream. Actually, ‘A Midnight Summer Fever Dream.’" Earlier, you mentioned that DPR is like a family. Can you share a story that captures the bond you share with the team? IAN: "Yes, we’ve been through possibly one of the hardest things a team could go through in the last two years. We’ve lost a significant amount—not just people. We went through a process that could have destroyed us. And honestly, if we weren’t close or didn’t truly care about each other, we wouldn’t still be here. Of course, we’d be alive, but we wouldn’t be together like this. After everything that happened a year or two ago, the fact that we’re here now, doing a world tour, visiting countries we’ve never been to before, is a testament to how much we care for one another. Because if we weren’t family, if we didn’t care, I don’t think we could have endured." If you had to describe yourself in one word, without thinking too much, what would it be? IAN: "Honest." Last question: Can you give your fans an idea of what they can expect from you in the future? IAN: "For me, personally, the next chapter in the series will feature a new character. So far, I’ve introduced Mito, Insanity, and others, but the character who, ironically, hasn’t emerged yet, even though he should have, is Ian. It’s funny, since my name is Ian, but it took Mito, Insanity, and everything else to reach a point where Ian could finally come out. That’s the next step for me: Ian." In Conversation with: DPR Cream Before joining DPR, he seriously considered quitting music. No one was interested in him or his work, deeply affecting his self-esteem. However, everything changed when he joined the Dream Perfect Regime (DPR) in 2015, shortly after the release of Till I Die. DPR provided him with a collaborative and inspiring environment that reignited his passion for music. Kim Kyung-mo, known as DPR Cream, is a multifaceted artist: producer, composer, and singer. He made his solo debut on July 5, 2019, with the digital single The Voyager 737, a milestone he hadn’t initially planned for. His primary focus was composing and producing music, but his tracks resonated so strongly with the DPR team that they encouraged him to debut as a singer. Cream’s musical journey began with vocal training: he majored in vocals and has been singing since his early twenties. However, a pivotal moment in his career came during a session when someone suggested he try composing. This sparked his transition to music production, where he excelled by mastering the piano and experimenting with innovative sounds. One of Cream’s signature techniques is the "zero gravity state," a sound design method he created himself. It transitions from a strong, dynamic sound to a quieter, minimal tone, often used to add contrast and depth to his tracks. Among his inspirations are artists like Prince, and he values music for its emotional resonance, even without understanding the lyrics, citing Frank Ocean as an example. With tattoos that reflect his artistic identity and a dedication to pushing creative boundaries, DPR Cream has become an essential part of DPR’s sound and vision. His journey from a self-doubting musician to an accomplished artist showcases the transformative power of collaboration and perseverance. How does it feel to be performing in Milan as part of the Dream Reborn tour? CREAM: “This is my first time in Milan, and I was curious about how it would feel to perform here. Walking around the city, I saw how beautiful it is, and now I’m even more excited to see the fans and how they’ll react to the show.” As one of the visionary artists in DPR, what does the DPR collective mean to you personally? CREAM: "Family. To me, it feels like family. Anything I want to do as an artist, I know that I'm going to get the support of them. I know that there are people around me who would be willing to help, be behind me and do the art that I want." Can you tell us about a particular stage moment that felt surreal or particularly powerful for you? CREAM: “This is my first tour, so every time I hear fans singing along to my songs, it feels surreal. In every venue, I’ve had these moments where I think, ‘Wow, this is really happening.’ As the tour progresses, the crowds get bigger, and their energy makes me feel proud and grateful.” What are some of the biggest influences that shape your music, both within and outside the DPR? CREAM: " Frank Ocean. But I love every kind of music. Nowadays I'm really into dancing music, house music, techno, everything feels always so different.Because of Artic, we are working together many times lately so I'm discovering more and more. And what I love the most is mixing. So I can say inside the DPR I'm very influenced by him (DPR Artic)." How would you define your music if you had to describe it to someone who has never heard it? CREAM: "The growing pain of evolving." The team starts laughing, and Ian comments, "basically, puberty". Everyone laughs while Cream - laughing hidden by his cap - shakes his head. Earlier, you mentioned that DPR is like a family. Can you share a story that captures your bond with the team? CREAM: "There’s a Korean saying that says: after a harsh rainfall, the ground dries and becomes stronger, more solid. ( The Korean proverb he's referring to is "비 온 뒤에 땅이 굳어진다" (bi on dwie ttang-i gudojinda), which translates to "After the rain, the ground hardens" ) That perfectly reflects our journey as DPR. We’ve been through heavy rains, as Ian mentioned, moments that tested us deeply. But those challenges only brought us closer. The bond we share now is tighter than ever, built on the strength we gained from overcoming those hardships together. We’ve also welcomed new team members who have added to this solidity, making us an even stronger and more united collective. It’s like the ground beneath us is more solid than it’s ever been." What would it be if you had to describe yourself in one word without overthinking? CREAM: "Savage." Last question: Can you give your fans an idea of what they can expect from you in the future? CREAM: "I'm working on my next album, but it's going to be more of a mixtape. And Artic and I we are working on something together, I hope we can create a compilation." In Conversation with: DPR Artic When he appeared on stage, the crowd, from silent anticipation, erupted in a roar. Artic made Milan dance like no one had in years. Kim Yongwoo, known as DPR ARTIC, is an independent techno DJ and producer who officially debuted with the DPR collective on February 2, 2024, with his EP “KINEMA.” Although he was officially announced as a member on December 22, 2023, Artic has been a part of DPR since 2019, where he worked as a producer and DJ, accompanying the group in their performances. His career with DPR began in 2019 when he first performed at the Head In The Clouds Music Festival in Los Angeles. Since then, Artic has made his mark as a producer of memorable tracks like “Set It Off” feat. DPR CLINE and “SYNC,” collaborating with DPR Cream on productions for showcases 001, 002, and 003. In 2023, he took the stage at the Regime Tour Finale in Seoul, once again alongside Cream. In addition to his work with DPR, Artic continues to produce and perform as an independent artist under the same name, adopted in 2018 shortly before joining the collective. His music is distinguished by its hypnotic energy and engaging sounds, capable of transforming any stage into a never-ending party. With the debut of his EP “KINEMA,” DPR ARTIC not only proves to be an essential member of the collective but also an independent force in the global techno music scene. His talent, both as a producer and DJ, promises to take him even higher as he continues to make crowds dance all over the world. How does it feel to be performing in Milan as part of the Dream Reborn tour? ARTIC: “It’s my first time in Italy, and I have to say, it feels truly surreal. I can’t believe I’m here, let alone here to do a show. I feel incredibly excited, happy, and full of emotion.” As one of the visionary artists of DPR, what does the DPR collective mean to you personally? ARTIC: “For me, DPR represents a huge part of my life. It’s much more than just a collective; it’s a fundamental part of the reality I’m living right now. It holds deep meaning and occupies an essential space in both my personal and artistic journey.” Can you tell us about a specific moment from the tour that felt surreal or particularly powerful? ARTIC: “I think every city has something unique. Fans react in very different ways, and I don’t believe there’s a better or worse reaction in general. Each city has its own way of showing passion, and it’s always been interesting to notice these differences.” What are some of the biggest challenges in merging your personal sound with the overall vision of DPR? ARTIC: “Honestly, there haven’t been any big difficulties. We’ve been together for a long time, not just in music but in life. Because of this bond and mutual understanding, it was easy for me to integrate their sound and ideology, whether it was Ian’s or the broader DPR vision, into my artistic journey. It was all very natural to merge my sound with DPR’s overall vision.” How would you describe yourself if you had to use just one word? ARTIC: “Rough.” Last question: Can you give your fans an idea of what they can expect from you in the future? ARTIC: “I want my fans to know that I’m working hard to grow and improve more and more, pushing myself beyond the limits I have now.”Couple charged in ring suspected of stealing $1 million in Lululemon clothes
With Ontario’s deadline to implement accessibility standards a little over a month away, a disability rights activist is part of a group holding an online forum. A barrier-free Ontario was the purpose of the Accessibility for Ontarians with Disabilities Act (AODA), unanimously passed by members of provincial parliament in 2005. With the province’s 20-year deadline for the implementation of accessibility standards looming on Jan. 1, 2025, AODA Alliance chair David Lepofsky will be part of the panel hosting the event from 2 to 4 p.m. today, and we will have the YouTube stream of the event of the public hearing. AODA Alliance will stage community public hearings. MPPs from the four Ontario political parties will receive deputations from people with disabilities in person and via video. Presenters will describe disability barriers they still face and the government’s role in the process. The event will stream live on the AODA Alliance YouTube channel at . Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our and . This site is protected by reCAPTCHA and the Google and apply. Want more of the latest from us? Sign up for more at our .
By MICHAEL R. SISAK NEW YORK (AP) — Lawyers for Sean “Diddy” Combs tried for a third time Friday to persuade a judge to let him leave jail while he awaits his sex trafficking trial, but a decision won’t come until next week. Judge Arun Subramanian said at a hearing that he will release his decision on Combs’ latest request for bail after Combs’ lawyers and federal prosecutors file letters addressing outstanding issues. Those letters are due at noon on Monday, Subramanian said. Combs’ lawyers pitched having him await trial under around-the-clock surveillance either his mansion on an island near Miami Beach or — after the judge scoffed at that location — an apartment on Manhattan’s Upper East Side. Their plan essentially amounts to putting Combs on house arrest, with strict limits on who he has contact with. But prosecutors argue that Combs has routinely flouted jail rules and can’t be trusted not to interfere with witnesses or the judicial process. “The argument that he’s a lawless person who doesn’t follow instructions isn’t factually accurate,” Combs lawyer Anthony Ricco argued. “The idea that he’s an out-of-control individual who has to be detained isn’t factually accurate.” Combs, 55, has pleaded not guilty to charges that he coerced and abused women for years with help from a network of associates and employees while silencing victims through blackmail and violence, including kidnapping, arson and physical beatings. His trial is slated to begin May 5. The Bad Boy Records founder remains locked up at a Brooklyn federal jail, where he spent his Nov. 4 birthday. Two other judges previously concluded that Combs would be a danger to the community if he is released and an appeals court judge last month denied Combs’ immediate release while a three-judge panel of the 2nd U.S. Circuit Court of Appeals weighs his bail request. Friday’s hearing was the second time Combs was in court this week. On Tuesday, a judge blocked prosecutors from using as evidence papers that were seized from his cell during jail-wide sweep for contraband and weapons at the Metropolitan Detention Center in Brooklyn. As he entered through a side door, Combs waved to relatives including his mother and several of his children in the courtroom gallery, tapping his hand to his heart and blowing kisses at them. He then hugged his lead attorney, Marc Agnifilo, before taking a seat at the defense table. He was not handcuffed or shackled and wore a beige jail uniform, occasionally pulling a pair of reading glasses from his pocket as he peered at papers in front of him. Prosecutors maintain that no bail conditions will mitigate the “risk of obstruction and dangerousness to others” of releasing Combs from jail. Prosecutors contend that while locked up the “I’ll Be Missing You” artist has orchestrated social media campaigns aimed at tainting the jury pool. They allege that he has also attempted to publicly leak materials he thinks would be helpful to his case and is contacting potential witnesses via third parties. “Simply put, the defendant cannot be trusted,” Assistant U.S. Attorney Christy Slavik argued. Combs’ lawyer Teny Geragos countered that, given the strict release conditions proposed, “it would be impossible for him not to follow rules.”
The Calgary Municipal Land Corporation (CMLC) has sold two parcels of land that are set to be developed into residential towers just east of Calgary's Central Library. Local developer Bankside Properties bought the land, in partnership with Sumus Property Group, to build a pair of six-storey buildings, each designed to offer roughly 80 one- and two-bedroom rental units. The buildings' ground-floor units are planned to have the flexibility to be converted into commercial space in the future. Development permits for both buildings are scheduled to be submitted before the end of the year, with groundbreaking expected in late 2025. Bankside and Sumus are investing roughly $60 million into the project. Cole Richardson, managing principal for Bankside Properties, told news media on Monday that the towers won't target the premium rental market but instead will be designed to be affordable to most people. Over $1B in major Calgary building projects to be completed or started this year, says CMLC More rental units coming to East Village following latest groundbreaking The company wanted to develop in the East Village, he said, because of the mix of businesses already in the neighbourhood, its walking distance to downtown Calgary, and the CMLC's vision for the neighbouring culture and entertainment district. The buildings will bolster Calgary's supply of housing as the city's population grows, Richardson said. "There's a bit of a supply problem right now. We're excited to add to that supply. Now these aren't really large buildings, but every new building helps fill that housing gap," Richardson said. Kate Thompson, CMLC president and CEO, noted the corporation asked the developers to complement nearby historic buildings like the St. Louis Hotel and the Hiller Block. "The added pressure on this property is that you're right next to the new Central Library and the St. Louis Hotel, and also in a challenging market," Thompson said to media on Monday. "We understand that and know how important it is to bring residents into East Village, and keep the momentum with the delivery of development opportunities." More East Village development Thompson anticipates construction to begin on more than 400 units in the East Village in 2025, as part of an overall plan to build more than 900 new homes in the neighbourhood in the coming years. In 2022, the CMLC announced partnerships with developer ONE Properties for two mixed-use towers in the East Village, and with Minto Properties for a 100-unit residential development along the city's RiverWalk. The CMLC said both projects are advancing through financing and design development, with an update expected on the projects next year. East Village rebirth started 15 years ago; there's still much work to do Analysis Thousands will soon be moving into Calgary's converted office towers. What are they going to do there? The higher-density projects have been more challenging to deliver in recent years, Thompson said, because of the rising cost of building materials. Statistics Canada found that Calgary saw the largest increase of residential building construction costs among the 11 metro areas it measured in each of its quarterly reports on building construction prices this year. "It's incumbent upon CMLC to look at opportunities to increase development, increase rooftops and residences here, even amidst all those challenges," Thompson said. Calgary's East Village neighbourhood has several development projects already underway, including the newly announced buildings east of the Central Library. (Calgary Municipal Land Corporation) The CMLC also announced it conditionally sold the temporary site of Bounce Games Park to a developer partner. It expects to offer more details on the project early next year. At Fourth Avenue and Macleod Trail S.E., Trico Homes has submitted a development permit for 255 residential units and three commercial units, including a daycare with a rooftop outdoor play space, the CMLC said. It also announced real estate firm Triovest is in the land-use pre-application phase with the city for two mixed-use towers north of Studio Bell. Also in the neighbourhood, Alston Properties has nearly completed construction on EV606, a 44-unit riverfront rental property, with occupancy expected for early next year. At Arris Residences at Sixth Avenue and Third Street S.E., 177 of its available condo units have been sold, with the remaining 200 units still up for sale. The 42-storey tower includes 300 new units.
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Second baseman Gleyber Torres divulged Saturday that the New York Yankees did not offer him a contract in free agency before he decided to sign with the Detroit Tigers this week. According to MLB.com's Bryan Hoch , Torres said: "After the World Series, I got a lot of phone calls from other teams and just focused to get an opportunity in another place. I feel like I have to play where somebody wants to give the best for me, and I just want to be available to do the best for the team. "I've got great friends there, great communication with the entire organization. I feel proud of myself for being with the Yankees for seven years, but now I'm with Detroit and just really happy they gave me the opportunity to play next year. I think they have other priorities and I'm not on the list. I'm good." After being a key contributor with the Yankees for seven seasons from 2018 to 2024, Torres agreed to a one-year, $15 million deal with the Tigers on Friday, per ESPN's Jesse Rogers . This article will be updated soon to provide more information and analysis. For more from Bleacher Report on this topic and from around the sports world, check out our B/R app , homepage and social feeds—including Twitter , Instagram , Facebook and TikTok .The Broncos opened training camp before this season with a starting center vacancy. Luke Wattenberg took control. “He came into this year with a lot of pride to get the job, and to make sure that he was the guy that took us where we needed to go offensively,” right tackle Mike McGlinchey told The Denver Gazette last week after practice at Broncos Park. “He’s such a great communicator. He keeps all of us on the same page out there. He’s playing his (butt) off.” The Broncos (7-5) host the Browns (3-8) in Week 13 on Monday Night Football at Empower Field. Wattenberg has started in eight of 12 games; missing four starts while on injured reserve (ankle) earlier this season. The fifth-round draft pick (2022) from Washington in his third NFL season has grown to become a key member of Denver’s offensive line. His chemistry with rookie quarterback Bo Nix continues to grow. The Broncos defeated the Raiders, 29-19, on Sunday in Las Vegas. “The big thing is just getting reps between us. The more we play together, the better we click and communicate,” Wattenberg said on a Monday teleconference call with local media. “As soon as (Nix) stepped in the building, I think everyone could kind of feel his confidence, and his confidence in his own abilities. ... The way he runs the offense; I think it does not feel like he’s a rookie. It’s great for us up front and I think everyone feeds off it.” Wattenberg spent his first two Broncos seasons studying the success of ex-starting center Lloyd Cushenberry (signed with Titans). Wattenberg credits his former teammate for preparation to take over the job in Denver. “(Cushenberry) was a great guy to learn from,” Wattenberg said. “His attention to detail is his biggest asset and that’s what I took from him. ... Every meticulous detail, from his notes to the way he practices to the techniques he uses.” Wattenberg, 27, is now earning the respect of his current teammates. “He’s overall kind of quiet, but the hard work doesn’t go unnoticed,” left guard Quinn Meinerz told The Denver Gazette last week. “When he needs to make the calls, he makes it loud enough for us to all know what we’ve got to do. He’s very confident in that, and that’s because he works really hard. ... It’s on all of us to get on the same page. But he gets us there.”
NICEVILLE, Fla. (AP) — Aaliyah Nye scored 15 points and No. 23 Alabama coasted to an 83-33 win over Alabama State on Monday at the Emerald Coast Classic. Read this article for free: Already have an account? To continue reading, please subscribe: * NICEVILLE, Fla. (AP) — Aaliyah Nye scored 15 points and No. 23 Alabama coasted to an 83-33 win over Alabama State on Monday at the Emerald Coast Classic. Read unlimited articles for free today: Already have an account? NICEVILLE, Fla. (AP) — Aaliyah Nye scored 15 points and No. 23 Alabama coasted to an 83-33 win over Alabama State on Monday at the Emerald Coast Classic. Sarah Ashlee Barker and Karly Weathers both added 12 points for the Crimson Tide (7-0). Zaay Green had 11. Barker, Weathers and Green combined to go 12 of 16 from the field as Alabama shot 51% and made 23 of 34 free throws. Cordasia Harris had eight points for the Hornets (2-3), who shot 27.5% and had 28 turnovers while being outrebounded by 17. Alabama entered ranked 17th in scoring offense through the first two weeks of the season, averaging 87.3 points per game. Barker opened the scoring and contributed another layup before her 3-pointer made it 14-0. The Tide led 26-8 after one quarter. Alabama also had a 13-2 run in the second quarter and Weathers had a buzzer-beating 3-pointer to lead 46-20 at halftime. Alabama plays the winner of UAB-Clemson on Tuesday and the Hornets face the loser. ___ Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here. AP women’s college basketball: https://apnews.com/hub/ap-top-25-womens-college-basketball-poll and https://apnews.com/hub/womens-college-basketball Advertisement
WILMINGTON, Delaware >> A Delaware judge ruled on Monday that Tesla CEO Elon Musk still is not entitled to receive a $56 billion compensation package despite shareholders of the electric vehicle company voting to reinstate it. The ruling by the judge, Chancellor Kathaleen McCormick of the Court of Chancery, follows her January decision that called the pay package excessive and rescinded it, surprising investors, and cast uncertainty over Musk’s future at the world’s most valuable carmaker. Musk did not immediately respond to an emailed request for comment. Tesla has said in court filings that the judge should recognize a subsequent June vote by its shareholders in favor of the pay package for Musk, the company’s driving force who is responsible for many of its advances, and reinstate his compensation. McCormick said Tesla’s board was not entitled to hit “reset” to restore Musk’s pay package. “Were the court to condone the practice of allowing defeated parties to create new facts for the purpose of revising judgments, lawsuits would become interminable,” she said in her 101-page opinion. She also said Tesla made multiple material misstatements in its proxy statement regarding the vote, and could not claim the vote was a “cure-all” to justify restoring Musk’s pay. “Taken together,” the problems with Tesla’s arguments “pack a powerful punch,” she wrote. Tesla shares fell 1.4% in after hours trade, after the ruling. McCormick also ordered Tesla to pay the attorneys who brought the case $345 million, well short of the $6 billion they initially requested. She said the fee could be paid in cash or Tesla stock. “We are pleased with Chancellor McCormick’s ruling, which declined Tesla’s invitation to inject continued uncertainty into Court proceedings,” said a statement from Bernstein Litowitz Berger & Grossmann, one of the three law firms for the plaintiff. The law firm also said it looked forward to defending the court’s opinion if Musk and Tesla appealed. Musk and Tesla can appeal to the Delaware Supreme Court as soon as McCormick enters a final order, which could come as soon as this week. The appeal could take a year to play out. After the January ruling, Tesla shareholders flooded the court with thousands of letters arguing that rescinding Musk’s pay increased the possibility he would leave Tesla or develop some products like artificial intelligence at ventures other than Tesla. Attorneys for shareholder Richard Tornetta, who sued in 2018 to challenge Musk’s compensation package, had argued that Delaware law does not permit a company to use a ratification vote to essentially overturn the ruling from a trial. McCormick in January found that Musk improperly controlled the 2018 board process to negotiate the pay package. The board had said that Musk deserved the package because he hit all the ambitious targets on market value, revenue and profitability. But the judge criticized Tesla’s board as “beholden” to Musk, saying the compensation plan was proposed by a board whose members had conflicts of interest due to close personal and financial ties to him. After the January ruling, Musk criticized the judge on his social media platform X and encouraged other companies to follow the lead of Tesla and reincorporate in Texas from Delaware, although it is unclear if any companies did so. The judge in her January ruling called the pay package the “biggest compensation plan ever – an unfathomable sum.” It was 33 times larger than the next biggest executive compensation package, which was Musk’s 2012 pay plan. As of Monday, the pay package was worth $101.4 billion, according to Equilar, a compensation consulting firm. Musk’s 2018 pay package gave him stock grants worth around 1% of Tesla’s equity each time the company achieved one of 12 tranches of escalating operational and financial goals. Musk did not receive any guaranteed salary. Tornetta argued that shareholders were not told how easily the goals would be achieved when they voted on the package.
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( MENAFN - Jordan Times) Jordan's burgeoning tech scene stands at a crossroads. With the potential to become a pillar of a developed economy. Hence, the nation should navigate a critical path - fostering innovation while safeguarding user trust. This journey doesn't lie in blindly following the breakneck pace of the US system or the cautious approach of the EU. Instead, Jordan needs a strategic hybrid, drawing upon the strengths of both. The allure of the US system, with its minimal government intervention, is undeniable. This environment has fuelled the explosive growth of Silicon Valley giants, and Jordanian startups could potentially benefit from similar freedom to experiment and adapt rapidly. However, unfettered innovation can come at a cost. Consumers may be left vulnerable to data breaches, privacy violations, and unfair competition. In a globalised digital landscape, trust is paramount for attracting users and investors. The EU, on the other hand, emphasises user well-being through stricter regulations focused on consumer protection and data privacy. This could build trust in Jordanian tech companies, making them globally attractive partners. Additionally, the EU's emphasis on R&D funding could be a crucial resource to fuel homegrown innovation. However, a rigid regulatory framework can stifle the rapid iteration vital for early-stage startups. Navigating complex regulations can be expensive, hindering the growth of young Jordanian companies. Encourage experimentation within a framework of clear data privacy and consumer protection laws. This fosters trust and creates a stable environment for long-term growth. Here, Jordan can learn from economies like Singapore, which have struck a balance between innovation and regulation. Singapore has attracted tech giants while nurturing a local startup ecosystem. They achieved this by fostering a culture of innovation within a framework of clear and consistent regulations. Focus resources on R&D in key areas relevant to the future of technology, giving Jordanian tech a competitive edge. Look towards South Korea, which has successfully leveraged government support to cultivate world-leading tech companies like Samsung and LG. By investing in areas like Artificial Intelligence (AI), cybersecurity and blockchain technology, Jordan can position its tech sector for the future. This support could come in the form of tax breaks, grants, or the creation of innovation hubs focused on specific technologies. Implement a regulatory structure that evolves alongside the sector, allowing flexibility for startups while ensuring responsible practices as the industry matures. India, a booming tech hub, exemplifies this approach. Its regulatory framework allows startups to flourish in the early stages, focusing on attracting talent and fostering innovation. As companies mature, stricter oversight is implemented to ensure consumer protection and responsible data practices. This allows Jordan to attract ambitious young companies without sacrificing user security down the line. A successful tech sector relies on a skilled workforce equipped to handle the ever-evolving demands of the digital age. This requires significant investment in science, technology, engineering, and mathematics (STEM) education at all levels. Jordan can learn from countries like India, which have focused on creating a talent pool through university collaborations, industry partnerships, and online learning platforms. Investing in STEM education will prepare young Jordanians for the jobs of tomorrow and ensure the long-term sustainability of the tech sector. Jordan's tech sector presents a golden opportunity for the nation's economic development. By adopting a strategic approach that fosters innovation while ensuring user trust, Jordan can establish itself as a regional tech leader. The journey will require collaboration between the government, the private sector, and educational institutions. By embracing a culture of innovation, investing in its workforce, and fostering international partnerships, Jordan can transform its tech scene into a powerful engine for a prosperous future. This future holds the potential to create high-paying jobs, attract foreign investment, and propel Jordan towards a developed economy. The time to act is now. Hamza Alakaleek is a corporate lawyer and tax attorney MENAFN02122024000028011005ID1108949043 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.
AUSTIN, Texas — Across the sport of football, there are plenty of father son duos, and Keenan and Kaden Hughes are no different. It's just their roster that is. "Once I actually dove into coaching girls, I absolutely fell in love with it," Keenan Hughes said. "I wouldn't dare go back to coaching boys after coaching girls." Keenan Hughes is the head coach of the women's flag football team at Concordia University, the first of its kind in Texas. The women's flag football program is set to launch this spring, and will be the first women's collegiate flag football program in the state. And with its launch will come a whole new generation of football family duos. Chrisma and Doxa Maulolo are one of the new emerging duos, and they're more than just teammates - they are twins, and probably the most in-synch quarterback and center duo to ever take the field. "When we're with each other we just know," Chrisma Maulolo said. "It snaps on our mind, I'm like 'I can catch Doxa's ball she knows where I'm going to go.'" "I know when she snaps it, she's gunna run there and she's gunna protect and she's gonna do her job," Doxa Maulolo said. They also know where they've been, and the hardships that football has helped them overcome. "A lot of times, my mental health is not the strongest," Doxa Maulolo said. "Football has given me a second chance because I wanted to give up on Concordia. Flag football has literally given me motivation and the confidence and the passion to even continue here." "Now, she has no plans of doing that because she has found that sense of family and that sense of inclusion within her teammates here," Keenan Hughes said. If you ask them, football was not part of the plan, but now they are here to stay, with hopes that they show other girls that they belong on the gridiron too. "I really, really hope that they see us and just take inspiration to say, I can do that too,'" Doxa Maulolo said. "We might be the first flag football team in Texas, but there are so many opportunities coming."Norfolk Flock system — with 172 cameras — passes constitutional muster, city maintains
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Sir Keir Starmer has been warned his ratings have suffered a “catastrophic” angered by his “family farm tax”. Just one in five voters believes Labour cares about people who live and work in the countryside, polling for The Telegraph has found. A survey of more than 2,000 adults conducted by Public First, the political consultancy, found only 22 per cent . Even among those who voted for Labour at the most recent general election, this only rose to two in five (40 per cent). “Labour’s ratings with all voters are very poor at the moment, but with rural voters they are catastrophic,” said James Frayne, a partner at Public First. Mr Frayne added: “To some extent they might have expected that with countryside voters, having had all the negative coverage. But they might be somewhat surprised by the developing vitriol which now seems to be absolutely commonplace.” It comes after a string of unpopular policy decisions, including changes to Agricultural Property Relief (APR) , which farmers claim will put many out of business. From April 2026, farms worth more than £1 million will be subject to a 20 per cent levy, half the usual inheritance tax rate. Rural groups have argued that the £1 million threshold will hit the majority of working family farms, asset-rich but cash-poor, instead of targeting . On Saturday, Paul Nowak, general secretary of the Trade Union Congress, became the first major union boss to speak out against the policy, saying he was “worried” about the impact changes to APR will have on small farmers. “You wouldn’t want the policy to impact on small family farms, because that was never the intention,” he told The Independent. “The onus will be on the Government to demonstrate that this it will have. I know that for some small employers, national insurance contributions will also be a worry next year, particularly for those companies operating on small profit margins.” Public First also found that voters believed the Green Party cared about the countryside more than Labour. Asked which political parties best understood the lives of those who live and work in the countryside, the most popular answer was the Conservative Party, followed by Reform. The Green Party – which is usually popular in urban, cosmopolitan areas – came third, followed by Labour in fourth place with 19 per cent. Only the Liberal Democrats trailed Labour, with 12 per cent. Separate analysis by the Countryside Alliance found that there are now many of whom were elected with a slim majority. “People put a blind faith in the Labour Party [at the election],” Mr Frayne said. “There are many constituencies Labour had very little history in having representation in the past. “People just thought it can’t be any worse but many have been surprised that actually it is worse. is really quite something.” Public First also carried out a series of in-depth interviews as part of their qualitative research into how rural voters felt about the Government. Speaking to voters in the rural constituency of Banbury, at the edge of the Cotswolds, they found that most felt Labour had had a rocky start in government and that not enough had changed – but many felt it was still too early to draw firm conclusions. Ian Deacon, a former Conservative voter in his sixties, decided to vote Labour at the last election. He said he now felt it was a “wasted vote”. He told researchers: “The Conservatives had to get out because they were lost. But maybe we should have gone down a different route.” He added that if there was an election tomorrow, Mr Deacon, who works in the water sector, went on to say: “I don’t think that they’re really targeting anybody – I don’t think they know who to target. They’ve got into power and I don’t think they really had a plan.” Meanwhile, Ian Haynes, an ex-Conservative who voted for Reform at the last election, said he stood by his decision since the Tories had “lost their way” and “I don’t hear any sensible arguments against what Labour’s doing”. Judy Carter, a teacher who voted for Labour, said: “If you’re trying to make a more equitable society, we’ve all got to take a share of the cuts, and up to now, the farmers have not taken any cuts. “So I understand they may think it’s unfair, but I believe the numbers of people actually going to be affected by the tax is not that great.” Another ex-Tory voter who voted for Labour in the last election said he thought it was going “terribly” for the Government. He said the Chancellor’s maiden Budget was not a “Budget for growth”, as she had termed it but a “Budget for absolute decline”. He added: “ is crippling. If you put together a small business owner probably has children at private schools. The VAT on top is ludicrous.” A Government spokesman said: “Our commitment to farmers remains steadfast – we have committed £5 billion to the farming budget over two years, including more money than ever for sustainable food production, and we are developing a 25-year farming roadmap, focusing on how to make the sector more profitable in the decades to come. “Our reform to Agricultural and Business Property Relief will impact around 500 estates a year. “For these estates, inheritance tax will be at half the rate paid by others, with 10 years to pay the liability back, interest-free. This is a fair and balanced approach which fixes the public services we all rely on.”
New trains already five years old as first trip arrives
What's On Tap in Chicago Bulls news ? Welcome to the 55th edition of "Tasting Flight," a daily newsletter to keep fans updated on all the latest news in Bulls Nation. Patrick Williams Trade Possibilities Sunday's edition of the Bulls On Tap Tasting Flight featured reporting on the Bulls being open to trading forward Patrick Williams. If they decide to move on, what could a deal look like? On Tap Sports Net's Alejandro Delgado mocked up three trades taking into account the Bulls' and potential suitors' needs. Defense Will Be Optional in Washington As the Bulls prepare to visit the Washington Wizards on Tuesday, Chicago Sports Network's K.C. Johnson shared ugly defensive rankings for both squads. Defensive ranks for Tuesday’s NBA Cup matchup in Washington D.C. Defensive rating: Bulls 28th, Wizards 30th Opponent points per game: Bulls 30th, Wizards 29th Opponent FG%: Bulls 30th, Wizards 24th Lonzo Ball , Julian Phillips Injury Updates Johnson also reported that Lonzo Ball will travel with the Bulls on their two-game road trip and Julian Phillips was cleared to return to practice. Lonzo Ball will travel on two-game trip and Billy Donovan, who witnessed Ball’s workout today, said he’s encouraged by Ball’s progress. Julian Phillips, who missed last game due to illness, returned to practice. Happy Birthday Talen Horton-Tucker ! Bulls guard Talen Horton-Tucker celebrates his 24th birthday on Nov. 25, 2024. Happy Birthday, THT! pic.twitter.com/G6sFj39rOp This article first appeared on On Tap Sports Net and was syndicated with permission.
DPR Ian, one of the most eclectic and captivating artists in contemporary music, reveals himself in a small backstage room at Milan’s Fabrique. After a Q&A session with fans, the charged atmosphere of excitement dissolves into a surreal intimacy: Ian sits on a worn-out couch, enveloped in a calm that starkly contrasts with the intensity he brings to the stage. There’s nothing contrived about his demeanor—only a natural elegance that makes him instantly approachable yet intriguingly enigmatic. Christian Yu, better known as DPR Ian, is an artist who defies conventional definitions. Born in Australia, he has carved out a unique place in the South Korean music scene, emerging as a standout figure within the creative collective Dream Perfect Regime (DPR). A singer, director, producer, and visionary, Ian doesn’t just create music—he constructs entire worlds. His artistic universe is inhabited by characters that embody his inner conflicts and emotional complexity. There’s MiTo, the vulnerable, melancholic side, and Insanity, the incarnation of chaos, anger, and contradiction. Both come alive in his songs, videos, and performances, as if they are integral, living pieces of an inseparable whole. During the interview, Ian doesn’t present himself as merely a successful musician but as a storyteller of universal emotions and experiences. Every response seems deliberate yet unforced as if each word is chosen with the precision of someone who understands that honesty is the key to truly connecting with others. Ian speaks with a sincerity that borders on poetic, and his words are thoughtful yet never artificial. The conversation unfolds with an effortless flow, weaving between intimate reflections and lighter moments. The atmosphere in the room shifts gradually: what begins as a standard Q&A transforms into a profound dialogue, almost like a meeting of souls. The divide between artist and interviewer dissolves, replaced by a shared sense of understanding and vision. DPR Ian speaks about music as though it were a natural extension of his existence, a medium through which he explores and gives form to his emotions. Each word carries weight, but it’s never burdensome or pretentious. There is a perfect balance between the gravity of the themes he touches on and the ease with which he expresses them—a rare ability that defines him not just as an artist but as an extraordinary communicator. Next to him on the couch, DPR Cream and DPR Arctic are part of the collective. Their presence fosters a sense of camaraderie and mutual support, cultivating an atmosphere that feels both familiar and genuine. The authentic bond that links them is palpable, adding to the moment's significance. The most extraordinary moment arrives at the end when Ian asks to learn a few words in Italian amidst laughter and a spontaneous hug. In that instant, the interview transcends its original purpose, becoming a uniquely human experience. The hug that concludes the meeting isn’t just a gesture of politeness but a tangible demonstration of a connection that goes beyond words. DPR Ian is not just a well-rounded artist; he is a soul capable of transforming every encounter into an unforgettable moment and leaving behind a lasting impression. His music isn’t merely a soundtrack—it’s a visual, emotional, and intellectual narrative, an experience that surpasses the boundaries of listening alone. Anyone who chooses to explore this world doesn’t just step into Ian’s mind but into an entire universe. A place where reality and imagination intertwine, leaving a mark that belongs to everyone who decides to immerse themselves in the art of DPR. Here is our interview. How does it feel to perform in Milan as part of The Dream Reborn tour? IAN: "For me, it's incredible. I came to Milan last year for a fashion show, and I didn’t even know we had fans here. When I found out, I promised myself I’d come back and do a show. I’m so happy. Italian fans are incredibly passionate, and I can feel all their energy." What does the DPR collective represent for you, both personally and artistically? IAN: "DPR is deeply personal to me. It’s not just a collective—it’s a reason to live. It’s such an important, monumental part of my life that it defines who I am. It’s tied to everything: my family, my friends, and my purpose. It gives me direction and continuously shapes the person I want to become." Can you share a particularly powerful or surreal moment you've had on stage? IAN: "Every city brings something unique. Fans react differently depending on the culture, and that makes every performance interesting. For instance, in Mexico, the crowd was massive, around 19-20,000 people, but even smaller shows have been just as intense. Some cities, like Warsaw, surprised me with the passion of the fans. In Milan, fans already seem very enthusiastic yet composed, and I can’t wait to see how they’ll let loose during the show." What is your creative process when building a narrative for your songs and performances? IAN: "For me, everything starts with honesty. It has to be personal, or it just doesn’t work. The narrative I build always reflects what I’m experiencing at the moment or what I’ve been through in the past year. I believe the best way to tell an authentic story is to draw from personal experiences—only then can it feel real and meaningful. My creative process involves exposing myself to new experiences. I love watching musicals or shows like Cirque du Soleil because they offer visual and narrative stimuli I wouldn’t get if I stayed in my comfort zone. I’m always looking for something new to see, something to enrich my creative toolkit. It’s crucial for me not to recycle the same ideas. If I don’t continually add ‘new books’ to my creative library, I risk repeating myself, and that can block inspiration. I also try to live every experience with full awareness. I like to be completely present, absorb every detail, and take something meaningful from it. That’s where my stories come from." Many of your songs delve into complex emotions and introspection and touch on one of the most important topics in modern society: mental health. Is there a song that represents a personal turning point or revelation for you? IAN: "Yes, I think one of the songs that marked a turning point for me was Seraph . The title itself refers to the Seraph, the highest rank in the angelic hierarchy, closest to God. It should symbolize immense power, but in the context of the song, I chose to tell a different story. In Seraph , I play a character who was once a Seraph—strong, divine, unshakable—but who has lost that power. I used the image of burning wings as a metaphor for that sense of falling, of losing the strength and abilities I once believed were unbreakable. For me, this song reflects a time when I felt completely disconnected from the strongest version of myself. However, I realized that going through that darkness was essential. You know what they say: you have to face the worst to truly appreciate your best. It was a significant turning point in my life and music. Writing Seraph was challenging but necessary because I wanted it to be honest and authentic." How do you stay connected to your artistic identity despite the pressures of touring, constantly traveling, and continuing to create new music? IAN: "I won’t lie; I still struggle. I don’t think I’ve ever found a clear balance. There are days when Cream, Artic, and I are in sync, and others when we’re not. The rhythm of touring is incredibly hectic—you’re in a new city every two days on average, with a new audience and new energy to face. This creates constant stimulation, but at the same time, the traveling is hard to process or fully live in the moment. You almost never have time to adjust or process what you’re feeling. And that’s crucial for many people: having the time to ground themselves and understand their emotions. Trying to maintain a sense of stability with such an intense schedule is a huge challenge. Honestly, I don’t know how anyone manages it. If someone has an answer, please, let me know." Can you tell us about your recent social media blackout? How important is it, in your opinion, for an artist—or anyone—to disconnect? IAN: "That’s a great and important question, thank you. In my life, I’ve always been clear about being open about what I go through as a human being, not just as an artist. This is important because we need to separate the idea that artists are not human. As time goes on, we see how people place idols on pedestals, but in doing so, it becomes strange to see someone being sick or sad. But artists are people, so it’s important that, while some people may want to build these fantasy images of who they idolize, we also normalize that these artists are human. By doing so, you create a healthy distinction: you admire their art, not their perfection. That’s the ground I want to build on, because in the end, you see the artist for what they are—someone who creates art—and that’s the definition of an artist: someone who challenges their reality and shares their art with others, whether you’re a fan or not." He pauses, smiling. Completely at ease, he continues to share his thoughts without pretense. "For me, being vulnerable and open isn’t something I do because I want to, but because... why not? It would feel strange to me to only show my strength and not my weakness. But at the same time, if I were someone who only showed the dark side, I think it would promote an unhealthy way of addressing mental health. You have to show what you’re dealing with and how you’re fighting it. Because in that way, if I fight and show I’m getting better—if I’m winning—it means anyone else can do the same. That’s why I open up, because it’s also a new challenge for me. If I announce my ideas to the world, like my ‘five-minute rule,’ which means you’re only allowed to stay in your head for five minutes—no longer—and then you move on, I have to live by that, or I’d be a hypocrite. And I don’t like being one. So I deliberately force myself to expose a certain part of myself, then step back to show how I process it. For example, when I deactivated my Instagram, I knew I was overstimulated or getting manic. It’s something you see all the time: celebrities going through an episode and speaking out before they’ve healed, which only makes things worse." He leans forward, looking at us. "They call it the ‘devil’s tongue,’ right?" I nod. "When it happens to me, I disconnect from everything until I’ve healed. Then I come back. It’s something I’ve learned over time. I’ve made mistakes in the past, like going live when I wasn’t in the right place, but now I know you can choose what you share with people. You don’t have to show your most damaged side all the time. Some things should stay private, for your own care. So when I feel an episode coming, I step back. Especially during a tour, I can’t afford to compromise anything. I’m here to do a job, and I don’t want that to become an issue. Now that I’m older, I understand that social opinions don’t really matter much, even if they can be harsh. But that’s reality. I’m sure you, as a journalist, know what I mean." I smile, nodding again with a sigh. He laughs, and we exchange stories for a moment before resuming. If you had to describe your music to someone who has never heard it before, how would you define it? IAN: "For me, it’s a dream state. A fever dream. Actually, ‘A Midnight Summer Fever Dream.’" Earlier, you mentioned that DPR is like a family. Can you share a story that captures the bond you share with the team? IAN: "Yes, we’ve been through possibly one of the hardest things a team could go through in the last two years. We’ve lost a significant amount—not just people. We went through a process that could have destroyed us. And honestly, if we weren’t close or didn’t truly care about each other, we wouldn’t still be here. Of course, we’d be alive, but we wouldn’t be together like this. After everything that happened a year or two ago, the fact that we’re here now, doing a world tour, visiting countries we’ve never been to before, is a testament to how much we care for one another. Because if we weren’t family, if we didn’t care, I don’t think we could have endured." If you had to describe yourself in one word, without thinking too much, what would it be? IAN: "Honest." Last question: Can you give your fans an idea of what they can expect from you in the future? IAN: "For me, personally, the next chapter in the series will feature a new character. So far, I’ve introduced Mito, Insanity, and others, but the character who, ironically, hasn’t emerged yet, even though he should have, is Ian. It’s funny, since my name is Ian, but it took Mito, Insanity, and everything else to reach a point where Ian could finally come out. That’s the next step for me: Ian." In Conversation with: DPR Cream Before joining DPR, he seriously considered quitting music. No one was interested in him or his work, deeply affecting his self-esteem. However, everything changed when he joined the Dream Perfect Regime (DPR) in 2015, shortly after the release of Till I Die. DPR provided him with a collaborative and inspiring environment that reignited his passion for music. Kim Kyung-mo, known as DPR Cream, is a multifaceted artist: producer, composer, and singer. He made his solo debut on July 5, 2019, with the digital single The Voyager 737, a milestone he hadn’t initially planned for. His primary focus was composing and producing music, but his tracks resonated so strongly with the DPR team that they encouraged him to debut as a singer. Cream’s musical journey began with vocal training: he majored in vocals and has been singing since his early twenties. However, a pivotal moment in his career came during a session when someone suggested he try composing. This sparked his transition to music production, where he excelled by mastering the piano and experimenting with innovative sounds. One of Cream’s signature techniques is the "zero gravity state," a sound design method he created himself. It transitions from a strong, dynamic sound to a quieter, minimal tone, often used to add contrast and depth to his tracks. Among his inspirations are artists like Prince, and he values music for its emotional resonance, even without understanding the lyrics, citing Frank Ocean as an example. With tattoos that reflect his artistic identity and a dedication to pushing creative boundaries, DPR Cream has become an essential part of DPR’s sound and vision. His journey from a self-doubting musician to an accomplished artist showcases the transformative power of collaboration and perseverance. How does it feel to be performing in Milan as part of the Dream Reborn tour? CREAM: “This is my first time in Milan, and I was curious about how it would feel to perform here. Walking around the city, I saw how beautiful it is, and now I’m even more excited to see the fans and how they’ll react to the show.” As one of the visionary artists in DPR, what does the DPR collective mean to you personally? CREAM: "Family. To me, it feels like family. Anything I want to do as an artist, I know that I'm going to get the support of them. I know that there are people around me who would be willing to help, be behind me and do the art that I want." Can you tell us about a particular stage moment that felt surreal or particularly powerful for you? CREAM: “This is my first tour, so every time I hear fans singing along to my songs, it feels surreal. In every venue, I’ve had these moments where I think, ‘Wow, this is really happening.’ As the tour progresses, the crowds get bigger, and their energy makes me feel proud and grateful.” What are some of the biggest influences that shape your music, both within and outside the DPR? CREAM: " Frank Ocean. But I love every kind of music. Nowadays I'm really into dancing music, house music, techno, everything feels always so different.Because of Artic, we are working together many times lately so I'm discovering more and more. And what I love the most is mixing. So I can say inside the DPR I'm very influenced by him (DPR Artic)." How would you define your music if you had to describe it to someone who has never heard it? CREAM: "The growing pain of evolving." The team starts laughing, and Ian comments, "basically, puberty". Everyone laughs while Cream - laughing hidden by his cap - shakes his head. Earlier, you mentioned that DPR is like a family. Can you share a story that captures your bond with the team? CREAM: "There’s a Korean saying that says: after a harsh rainfall, the ground dries and becomes stronger, more solid. ( The Korean proverb he's referring to is "비 온 뒤에 땅이 굳어진다" (bi on dwie ttang-i gudojinda), which translates to "After the rain, the ground hardens" ) That perfectly reflects our journey as DPR. We’ve been through heavy rains, as Ian mentioned, moments that tested us deeply. But those challenges only brought us closer. The bond we share now is tighter than ever, built on the strength we gained from overcoming those hardships together. We’ve also welcomed new team members who have added to this solidity, making us an even stronger and more united collective. It’s like the ground beneath us is more solid than it’s ever been." What would it be if you had to describe yourself in one word without overthinking? CREAM: "Savage." Last question: Can you give your fans an idea of what they can expect from you in the future? CREAM: "I'm working on my next album, but it's going to be more of a mixtape. And Artic and I we are working on something together, I hope we can create a compilation." In Conversation with: DPR Artic When he appeared on stage, the crowd, from silent anticipation, erupted in a roar. Artic made Milan dance like no one had in years. Kim Yongwoo, known as DPR ARTIC, is an independent techno DJ and producer who officially debuted with the DPR collective on February 2, 2024, with his EP “KINEMA.” Although he was officially announced as a member on December 22, 2023, Artic has been a part of DPR since 2019, where he worked as a producer and DJ, accompanying the group in their performances. His career with DPR began in 2019 when he first performed at the Head In The Clouds Music Festival in Los Angeles. Since then, Artic has made his mark as a producer of memorable tracks like “Set It Off” feat. DPR CLINE and “SYNC,” collaborating with DPR Cream on productions for showcases 001, 002, and 003. In 2023, he took the stage at the Regime Tour Finale in Seoul, once again alongside Cream. In addition to his work with DPR, Artic continues to produce and perform as an independent artist under the same name, adopted in 2018 shortly before joining the collective. His music is distinguished by its hypnotic energy and engaging sounds, capable of transforming any stage into a never-ending party. With the debut of his EP “KINEMA,” DPR ARTIC not only proves to be an essential member of the collective but also an independent force in the global techno music scene. His talent, both as a producer and DJ, promises to take him even higher as he continues to make crowds dance all over the world. How does it feel to be performing in Milan as part of the Dream Reborn tour? ARTIC: “It’s my first time in Italy, and I have to say, it feels truly surreal. I can’t believe I’m here, let alone here to do a show. I feel incredibly excited, happy, and full of emotion.” As one of the visionary artists of DPR, what does the DPR collective mean to you personally? ARTIC: “For me, DPR represents a huge part of my life. It’s much more than just a collective; it’s a fundamental part of the reality I’m living right now. It holds deep meaning and occupies an essential space in both my personal and artistic journey.” Can you tell us about a specific moment from the tour that felt surreal or particularly powerful? ARTIC: “I think every city has something unique. Fans react in very different ways, and I don’t believe there’s a better or worse reaction in general. Each city has its own way of showing passion, and it’s always been interesting to notice these differences.” What are some of the biggest challenges in merging your personal sound with the overall vision of DPR? ARTIC: “Honestly, there haven’t been any big difficulties. We’ve been together for a long time, not just in music but in life. Because of this bond and mutual understanding, it was easy for me to integrate their sound and ideology, whether it was Ian’s or the broader DPR vision, into my artistic journey. It was all very natural to merge my sound with DPR’s overall vision.” How would you describe yourself if you had to use just one word? ARTIC: “Rough.” Last question: Can you give your fans an idea of what they can expect from you in the future? ARTIC: “I want my fans to know that I’m working hard to grow and improve more and more, pushing myself beyond the limits I have now.”Couple charged in ring suspected of stealing $1 million in Lululemon clothes
With Ontario’s deadline to implement accessibility standards a little over a month away, a disability rights activist is part of a group holding an online forum. A barrier-free Ontario was the purpose of the Accessibility for Ontarians with Disabilities Act (AODA), unanimously passed by members of provincial parliament in 2005. With the province’s 20-year deadline for the implementation of accessibility standards looming on Jan. 1, 2025, AODA Alliance chair David Lepofsky will be part of the panel hosting the event from 2 to 4 p.m. today, and we will have the YouTube stream of the event of the public hearing. AODA Alliance will stage community public hearings. MPPs from the four Ontario political parties will receive deputations from people with disabilities in person and via video. Presenters will describe disability barriers they still face and the government’s role in the process. The event will stream live on the AODA Alliance YouTube channel at . Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our and . This site is protected by reCAPTCHA and the Google and apply. Want more of the latest from us? Sign up for more at our .
By MICHAEL R. SISAK NEW YORK (AP) — Lawyers for Sean “Diddy” Combs tried for a third time Friday to persuade a judge to let him leave jail while he awaits his sex trafficking trial, but a decision won’t come until next week. Judge Arun Subramanian said at a hearing that he will release his decision on Combs’ latest request for bail after Combs’ lawyers and federal prosecutors file letters addressing outstanding issues. Those letters are due at noon on Monday, Subramanian said. Combs’ lawyers pitched having him await trial under around-the-clock surveillance either his mansion on an island near Miami Beach or — after the judge scoffed at that location — an apartment on Manhattan’s Upper East Side. Their plan essentially amounts to putting Combs on house arrest, with strict limits on who he has contact with. But prosecutors argue that Combs has routinely flouted jail rules and can’t be trusted not to interfere with witnesses or the judicial process. “The argument that he’s a lawless person who doesn’t follow instructions isn’t factually accurate,” Combs lawyer Anthony Ricco argued. “The idea that he’s an out-of-control individual who has to be detained isn’t factually accurate.” Combs, 55, has pleaded not guilty to charges that he coerced and abused women for years with help from a network of associates and employees while silencing victims through blackmail and violence, including kidnapping, arson and physical beatings. His trial is slated to begin May 5. The Bad Boy Records founder remains locked up at a Brooklyn federal jail, where he spent his Nov. 4 birthday. Two other judges previously concluded that Combs would be a danger to the community if he is released and an appeals court judge last month denied Combs’ immediate release while a three-judge panel of the 2nd U.S. Circuit Court of Appeals weighs his bail request. Friday’s hearing was the second time Combs was in court this week. On Tuesday, a judge blocked prosecutors from using as evidence papers that were seized from his cell during jail-wide sweep for contraband and weapons at the Metropolitan Detention Center in Brooklyn. As he entered through a side door, Combs waved to relatives including his mother and several of his children in the courtroom gallery, tapping his hand to his heart and blowing kisses at them. He then hugged his lead attorney, Marc Agnifilo, before taking a seat at the defense table. He was not handcuffed or shackled and wore a beige jail uniform, occasionally pulling a pair of reading glasses from his pocket as he peered at papers in front of him. Prosecutors maintain that no bail conditions will mitigate the “risk of obstruction and dangerousness to others” of releasing Combs from jail. Prosecutors contend that while locked up the “I’ll Be Missing You” artist has orchestrated social media campaigns aimed at tainting the jury pool. They allege that he has also attempted to publicly leak materials he thinks would be helpful to his case and is contacting potential witnesses via third parties. “Simply put, the defendant cannot be trusted,” Assistant U.S. Attorney Christy Slavik argued. Combs’ lawyer Teny Geragos countered that, given the strict release conditions proposed, “it would be impossible for him not to follow rules.”
The Calgary Municipal Land Corporation (CMLC) has sold two parcels of land that are set to be developed into residential towers just east of Calgary's Central Library. Local developer Bankside Properties bought the land, in partnership with Sumus Property Group, to build a pair of six-storey buildings, each designed to offer roughly 80 one- and two-bedroom rental units. The buildings' ground-floor units are planned to have the flexibility to be converted into commercial space in the future. Development permits for both buildings are scheduled to be submitted before the end of the year, with groundbreaking expected in late 2025. Bankside and Sumus are investing roughly $60 million into the project. Cole Richardson, managing principal for Bankside Properties, told news media on Monday that the towers won't target the premium rental market but instead will be designed to be affordable to most people. Over $1B in major Calgary building projects to be completed or started this year, says CMLC More rental units coming to East Village following latest groundbreaking The company wanted to develop in the East Village, he said, because of the mix of businesses already in the neighbourhood, its walking distance to downtown Calgary, and the CMLC's vision for the neighbouring culture and entertainment district. The buildings will bolster Calgary's supply of housing as the city's population grows, Richardson said. "There's a bit of a supply problem right now. We're excited to add to that supply. Now these aren't really large buildings, but every new building helps fill that housing gap," Richardson said. Kate Thompson, CMLC president and CEO, noted the corporation asked the developers to complement nearby historic buildings like the St. Louis Hotel and the Hiller Block. "The added pressure on this property is that you're right next to the new Central Library and the St. Louis Hotel, and also in a challenging market," Thompson said to media on Monday. "We understand that and know how important it is to bring residents into East Village, and keep the momentum with the delivery of development opportunities." More East Village development Thompson anticipates construction to begin on more than 400 units in the East Village in 2025, as part of an overall plan to build more than 900 new homes in the neighbourhood in the coming years. In 2022, the CMLC announced partnerships with developer ONE Properties for two mixed-use towers in the East Village, and with Minto Properties for a 100-unit residential development along the city's RiverWalk. The CMLC said both projects are advancing through financing and design development, with an update expected on the projects next year. East Village rebirth started 15 years ago; there's still much work to do Analysis Thousands will soon be moving into Calgary's converted office towers. What are they going to do there? The higher-density projects have been more challenging to deliver in recent years, Thompson said, because of the rising cost of building materials. Statistics Canada found that Calgary saw the largest increase of residential building construction costs among the 11 metro areas it measured in each of its quarterly reports on building construction prices this year. "It's incumbent upon CMLC to look at opportunities to increase development, increase rooftops and residences here, even amidst all those challenges," Thompson said. Calgary's East Village neighbourhood has several development projects already underway, including the newly announced buildings east of the Central Library. (Calgary Municipal Land Corporation) The CMLC also announced it conditionally sold the temporary site of Bounce Games Park to a developer partner. It expects to offer more details on the project early next year. At Fourth Avenue and Macleod Trail S.E., Trico Homes has submitted a development permit for 255 residential units and three commercial units, including a daycare with a rooftop outdoor play space, the CMLC said. It also announced real estate firm Triovest is in the land-use pre-application phase with the city for two mixed-use towers north of Studio Bell. Also in the neighbourhood, Alston Properties has nearly completed construction on EV606, a 44-unit riverfront rental property, with occupancy expected for early next year. At Arris Residences at Sixth Avenue and Third Street S.E., 177 of its available condo units have been sold, with the remaining 200 units still up for sale. The 42-storey tower includes 300 new units.
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Second baseman Gleyber Torres divulged Saturday that the New York Yankees did not offer him a contract in free agency before he decided to sign with the Detroit Tigers this week. According to MLB.com's Bryan Hoch , Torres said: "After the World Series, I got a lot of phone calls from other teams and just focused to get an opportunity in another place. I feel like I have to play where somebody wants to give the best for me, and I just want to be available to do the best for the team. "I've got great friends there, great communication with the entire organization. I feel proud of myself for being with the Yankees for seven years, but now I'm with Detroit and just really happy they gave me the opportunity to play next year. I think they have other priorities and I'm not on the list. I'm good." After being a key contributor with the Yankees for seven seasons from 2018 to 2024, Torres agreed to a one-year, $15 million deal with the Tigers on Friday, per ESPN's Jesse Rogers . This article will be updated soon to provide more information and analysis. For more from Bleacher Report on this topic and from around the sports world, check out our B/R app , homepage and social feeds—including Twitter , Instagram , Facebook and TikTok .The Broncos opened training camp before this season with a starting center vacancy. Luke Wattenberg took control. “He came into this year with a lot of pride to get the job, and to make sure that he was the guy that took us where we needed to go offensively,” right tackle Mike McGlinchey told The Denver Gazette last week after practice at Broncos Park. “He’s such a great communicator. He keeps all of us on the same page out there. He’s playing his (butt) off.” The Broncos (7-5) host the Browns (3-8) in Week 13 on Monday Night Football at Empower Field. Wattenberg has started in eight of 12 games; missing four starts while on injured reserve (ankle) earlier this season. The fifth-round draft pick (2022) from Washington in his third NFL season has grown to become a key member of Denver’s offensive line. His chemistry with rookie quarterback Bo Nix continues to grow. The Broncos defeated the Raiders, 29-19, on Sunday in Las Vegas. “The big thing is just getting reps between us. The more we play together, the better we click and communicate,” Wattenberg said on a Monday teleconference call with local media. “As soon as (Nix) stepped in the building, I think everyone could kind of feel his confidence, and his confidence in his own abilities. ... The way he runs the offense; I think it does not feel like he’s a rookie. It’s great for us up front and I think everyone feeds off it.” Wattenberg spent his first two Broncos seasons studying the success of ex-starting center Lloyd Cushenberry (signed with Titans). Wattenberg credits his former teammate for preparation to take over the job in Denver. “(Cushenberry) was a great guy to learn from,” Wattenberg said. “His attention to detail is his biggest asset and that’s what I took from him. ... Every meticulous detail, from his notes to the way he practices to the techniques he uses.” Wattenberg, 27, is now earning the respect of his current teammates. “He’s overall kind of quiet, but the hard work doesn’t go unnoticed,” left guard Quinn Meinerz told The Denver Gazette last week. “When he needs to make the calls, he makes it loud enough for us to all know what we’ve got to do. He’s very confident in that, and that’s because he works really hard. ... It’s on all of us to get on the same page. But he gets us there.”
NICEVILLE, Fla. (AP) — Aaliyah Nye scored 15 points and No. 23 Alabama coasted to an 83-33 win over Alabama State on Monday at the Emerald Coast Classic. Read this article for free: Already have an account? To continue reading, please subscribe: * NICEVILLE, Fla. (AP) — Aaliyah Nye scored 15 points and No. 23 Alabama coasted to an 83-33 win over Alabama State on Monday at the Emerald Coast Classic. Read unlimited articles for free today: Already have an account? NICEVILLE, Fla. (AP) — Aaliyah Nye scored 15 points and No. 23 Alabama coasted to an 83-33 win over Alabama State on Monday at the Emerald Coast Classic. Sarah Ashlee Barker and Karly Weathers both added 12 points for the Crimson Tide (7-0). Zaay Green had 11. Barker, Weathers and Green combined to go 12 of 16 from the field as Alabama shot 51% and made 23 of 34 free throws. Cordasia Harris had eight points for the Hornets (2-3), who shot 27.5% and had 28 turnovers while being outrebounded by 17. Alabama entered ranked 17th in scoring offense through the first two weeks of the season, averaging 87.3 points per game. Barker opened the scoring and contributed another layup before her 3-pointer made it 14-0. The Tide led 26-8 after one quarter. Alabama also had a 13-2 run in the second quarter and Weathers had a buzzer-beating 3-pointer to lead 46-20 at halftime. Alabama plays the winner of UAB-Clemson on Tuesday and the Hornets face the loser. ___ Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here. AP women’s college basketball: https://apnews.com/hub/ap-top-25-womens-college-basketball-poll and https://apnews.com/hub/womens-college-basketball Advertisement
WILMINGTON, Delaware >> A Delaware judge ruled on Monday that Tesla CEO Elon Musk still is not entitled to receive a $56 billion compensation package despite shareholders of the electric vehicle company voting to reinstate it. The ruling by the judge, Chancellor Kathaleen McCormick of the Court of Chancery, follows her January decision that called the pay package excessive and rescinded it, surprising investors, and cast uncertainty over Musk’s future at the world’s most valuable carmaker. Musk did not immediately respond to an emailed request for comment. Tesla has said in court filings that the judge should recognize a subsequent June vote by its shareholders in favor of the pay package for Musk, the company’s driving force who is responsible for many of its advances, and reinstate his compensation. McCormick said Tesla’s board was not entitled to hit “reset” to restore Musk’s pay package. “Were the court to condone the practice of allowing defeated parties to create new facts for the purpose of revising judgments, lawsuits would become interminable,” she said in her 101-page opinion. She also said Tesla made multiple material misstatements in its proxy statement regarding the vote, and could not claim the vote was a “cure-all” to justify restoring Musk’s pay. “Taken together,” the problems with Tesla’s arguments “pack a powerful punch,” she wrote. Tesla shares fell 1.4% in after hours trade, after the ruling. McCormick also ordered Tesla to pay the attorneys who brought the case $345 million, well short of the $6 billion they initially requested. She said the fee could be paid in cash or Tesla stock. “We are pleased with Chancellor McCormick’s ruling, which declined Tesla’s invitation to inject continued uncertainty into Court proceedings,” said a statement from Bernstein Litowitz Berger & Grossmann, one of the three law firms for the plaintiff. The law firm also said it looked forward to defending the court’s opinion if Musk and Tesla appealed. Musk and Tesla can appeal to the Delaware Supreme Court as soon as McCormick enters a final order, which could come as soon as this week. The appeal could take a year to play out. After the January ruling, Tesla shareholders flooded the court with thousands of letters arguing that rescinding Musk’s pay increased the possibility he would leave Tesla or develop some products like artificial intelligence at ventures other than Tesla. Attorneys for shareholder Richard Tornetta, who sued in 2018 to challenge Musk’s compensation package, had argued that Delaware law does not permit a company to use a ratification vote to essentially overturn the ruling from a trial. McCormick in January found that Musk improperly controlled the 2018 board process to negotiate the pay package. The board had said that Musk deserved the package because he hit all the ambitious targets on market value, revenue and profitability. But the judge criticized Tesla’s board as “beholden” to Musk, saying the compensation plan was proposed by a board whose members had conflicts of interest due to close personal and financial ties to him. After the January ruling, Musk criticized the judge on his social media platform X and encouraged other companies to follow the lead of Tesla and reincorporate in Texas from Delaware, although it is unclear if any companies did so. The judge in her January ruling called the pay package the “biggest compensation plan ever – an unfathomable sum.” It was 33 times larger than the next biggest executive compensation package, which was Musk’s 2012 pay plan. As of Monday, the pay package was worth $101.4 billion, according to Equilar, a compensation consulting firm. Musk’s 2018 pay package gave him stock grants worth around 1% of Tesla’s equity each time the company achieved one of 12 tranches of escalating operational and financial goals. Musk did not receive any guaranteed salary. Tornetta argued that shareholders were not told how easily the goals would be achieved when they voted on the package.
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( MENAFN - Jordan Times) Jordan's burgeoning tech scene stands at a crossroads. With the potential to become a pillar of a developed economy. Hence, the nation should navigate a critical path - fostering innovation while safeguarding user trust. This journey doesn't lie in blindly following the breakneck pace of the US system or the cautious approach of the EU. Instead, Jordan needs a strategic hybrid, drawing upon the strengths of both. The allure of the US system, with its minimal government intervention, is undeniable. This environment has fuelled the explosive growth of Silicon Valley giants, and Jordanian startups could potentially benefit from similar freedom to experiment and adapt rapidly. However, unfettered innovation can come at a cost. Consumers may be left vulnerable to data breaches, privacy violations, and unfair competition. In a globalised digital landscape, trust is paramount for attracting users and investors. The EU, on the other hand, emphasises user well-being through stricter regulations focused on consumer protection and data privacy. This could build trust in Jordanian tech companies, making them globally attractive partners. Additionally, the EU's emphasis on R&D funding could be a crucial resource to fuel homegrown innovation. However, a rigid regulatory framework can stifle the rapid iteration vital for early-stage startups. Navigating complex regulations can be expensive, hindering the growth of young Jordanian companies. Encourage experimentation within a framework of clear data privacy and consumer protection laws. This fosters trust and creates a stable environment for long-term growth. Here, Jordan can learn from economies like Singapore, which have struck a balance between innovation and regulation. Singapore has attracted tech giants while nurturing a local startup ecosystem. They achieved this by fostering a culture of innovation within a framework of clear and consistent regulations. Focus resources on R&D in key areas relevant to the future of technology, giving Jordanian tech a competitive edge. Look towards South Korea, which has successfully leveraged government support to cultivate world-leading tech companies like Samsung and LG. By investing in areas like Artificial Intelligence (AI), cybersecurity and blockchain technology, Jordan can position its tech sector for the future. This support could come in the form of tax breaks, grants, or the creation of innovation hubs focused on specific technologies. Implement a regulatory structure that evolves alongside the sector, allowing flexibility for startups while ensuring responsible practices as the industry matures. India, a booming tech hub, exemplifies this approach. Its regulatory framework allows startups to flourish in the early stages, focusing on attracting talent and fostering innovation. As companies mature, stricter oversight is implemented to ensure consumer protection and responsible data practices. This allows Jordan to attract ambitious young companies without sacrificing user security down the line. A successful tech sector relies on a skilled workforce equipped to handle the ever-evolving demands of the digital age. This requires significant investment in science, technology, engineering, and mathematics (STEM) education at all levels. Jordan can learn from countries like India, which have focused on creating a talent pool through university collaborations, industry partnerships, and online learning platforms. Investing in STEM education will prepare young Jordanians for the jobs of tomorrow and ensure the long-term sustainability of the tech sector. Jordan's tech sector presents a golden opportunity for the nation's economic development. By adopting a strategic approach that fosters innovation while ensuring user trust, Jordan can establish itself as a regional tech leader. The journey will require collaboration between the government, the private sector, and educational institutions. By embracing a culture of innovation, investing in its workforce, and fostering international partnerships, Jordan can transform its tech scene into a powerful engine for a prosperous future. This future holds the potential to create high-paying jobs, attract foreign investment, and propel Jordan towards a developed economy. The time to act is now. Hamza Alakaleek is a corporate lawyer and tax attorney MENAFN02122024000028011005ID1108949043 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.
AUSTIN, Texas — Across the sport of football, there are plenty of father son duos, and Keenan and Kaden Hughes are no different. It's just their roster that is. "Once I actually dove into coaching girls, I absolutely fell in love with it," Keenan Hughes said. "I wouldn't dare go back to coaching boys after coaching girls." Keenan Hughes is the head coach of the women's flag football team at Concordia University, the first of its kind in Texas. The women's flag football program is set to launch this spring, and will be the first women's collegiate flag football program in the state. And with its launch will come a whole new generation of football family duos. Chrisma and Doxa Maulolo are one of the new emerging duos, and they're more than just teammates - they are twins, and probably the most in-synch quarterback and center duo to ever take the field. "When we're with each other we just know," Chrisma Maulolo said. "It snaps on our mind, I'm like 'I can catch Doxa's ball she knows where I'm going to go.'" "I know when she snaps it, she's gunna run there and she's gunna protect and she's gonna do her job," Doxa Maulolo said. They also know where they've been, and the hardships that football has helped them overcome. "A lot of times, my mental health is not the strongest," Doxa Maulolo said. "Football has given me a second chance because I wanted to give up on Concordia. Flag football has literally given me motivation and the confidence and the passion to even continue here." "Now, she has no plans of doing that because she has found that sense of family and that sense of inclusion within her teammates here," Keenan Hughes said. If you ask them, football was not part of the plan, but now they are here to stay, with hopes that they show other girls that they belong on the gridiron too. "I really, really hope that they see us and just take inspiration to say, I can do that too,'" Doxa Maulolo said. "We might be the first flag football team in Texas, but there are so many opportunities coming."Norfolk Flock system — with 172 cameras — passes constitutional muster, city maintains
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