fortuner gas

The normally reliable centre-back passed the ball into his own net in the 26th minute after failing to spot goalkeeper Kasper Schmeichel’s positioning. But a brilliant turn and finish on the hour mark from Daizen Maeda changed the game and ultimately earned the Scottish champions a 1-1 home draw. On the opener, Rodgers said: “Mistakes happen and it was just unfortunate. He’s played that pass a million times and it’s gone back and then we’ve been able to play forward. It was just one of those unfortunate moments in the game that happens. “But he’s a really, really tough character. He’s a great guy, he picked himself up. He was really strong and aggressive again in the game and got on with it and had a real bravery in the second half, because he was the one carrying the ball forward for us to start the attack.” Despite the gift, Brugge were worthy of their lead and Rodgers admitted his side were too passive in their pressing in the opening half. Some tactical tweaks – and the introduction of Paulo Bernardo – helped Celtic dominate after Maeda’s equaliser, although Brugge had a goal disallowed for a marginal offside. “I can only credit the players for the second half, because we had to fight,” Rodgers said. “And we’re still one of those teams that’s really pushing to try and make a mark at this level. So to make the comeback, score the goal, play with that courage, I was so pleased. “You want to win but I’ve been here enough times to have lost a game like that, but we didn’t. We showed a real strong mentality and we kept pushing right to the very end and the players did well. “I thought they showed great courage in the second half because we weren’t at our level in the first half. Sometimes a game like that can get away from you, but it didn’t. “We stayed with it, showed that determination, showed that mentality, never to quit, to keep going. And then we were much, much better, much freer in the second half. “So we’re on eight points, nine to play for. We’re still very much on course to get to where we want to get to and still three games to go.” Rodgers added: “It’s 20 games now and we’ve won 16 and drawn three and lost one, so it shows you the mentality is there, and especially at this level, you need to have that.”The champions had descended into crisis after a run of seven games without a win – six of which were defeats and the other an embarrassing 3-3 draw after leading 3-0. Four of those losses had come in the Premier League, heavily damaging their chances of claiming a fifth successive title, but they appeared to turn the corner by sweeping Forest aside at the Etihad Stadium. “We needed it,” said City manager Guardiola. “The club, the players, everyone needed to win. “But it is just one game and in three days we are at Selhurst Park, where it has always been difficult. “We played good. We still conceded some transitions and missed some easy things and lost some passes that you have to avoid, but in general, the most important thing was to break this routine of not winning games and we won it.” Kevin De Bruyne, making his first start since September after overcoming a pelvic injury, made a huge difference to a side that appeared rejuvenated. His powerful header was turned in by Bernardo Silva for the opening goal and the Belgian followed up with a powerful strike to make it 2-0. The 33-year-old is out of contract at the end of the season but it was a strong riposte to recent suggestions of a rift with Guardiola. A sweet strike 💥 ⚡️ #HighSpeedMoments | @eAndGroup pic.twitter.com/WJOkfKo2zr — Manchester City (@ManCity) December 4, 2024 “I’m so happy for him,” said Guardiola of De Bruyne’s telling contribution. “Last season he was many months injured and this season as well. “I’m so happy he’s back. He fought a lot, he’s worked and he’s back with his physicality. The minutes he played in Anfield were really good and today he played 75 fantastic minutes.” Jeremy Doku wrapped up a pleasing win when he finished a rapid counter-attack just before the hour but there was still a downside for City with injuries to defenders Nathan Ake and Manuel Akanji. Guardiola said: “For Nathan it doesn’t look good and Manu has struggled a lot over the last two months. We will see. “Phil (Foden) has bronchitis but when he doesn’t have fever he will be ready.” Despite City’s dominance, Forest did have some bright moments and manager Nuno Espirito Santo was not downbeat. He said: “When you lose 3-0 and you say it was a good performance maybe people don’t understand, but I will not say that was a bad performance. “There are positive things for us in the game. Of course there are a lot of bad things, mistakes, but we had chances. “We didn’t achieve but I think we come out proud of ourselves because we tried. For sure, this game will allow us to grow.”

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LOS ANGELES -- Film Independent has announced its nominations for the 40th annual edition of the Film Independent Spirit Awards. "A Real Pain" has two nominations for Best Screenplay and Best Supporting Performance for Kieran Culkin. "Nightbitch" also has two, with nods for Amy Adams as Best Lead Performance and Best Editing. The Walt Disney Company was well represented on the TV side, with "Agatha All Along," "English Teacher," "Shogun" all getting nods for Best New Scripted Series. "Shogun" has five nominations in total, "English Teacher" has four and "Agatha All Along" scored three. "Under The Bridge" has two nominations, Lily Gladstone gets the nod for Lead Performance in a New Scripted Series and Best Supporting Performance. "Erased: WW2's Heroes of Color," "Social Studies" and "Photographer" are up for Best New Non-Scripted or Documentary Series while "Sugarcane" is nominated for the Truer Than Fiction Awards. "Anora" and "I Saw The Glow" lead all nominations with six each on the film side. On the TV side, "Baby Reindeer also has four nominations. The 40th Film Independent Spirit Awards will be handed out Feb. 22, 2025. The full list of nominations is below. 2025 FILM INDEPENDENT SPIRIT AWARD NOMINATIONS BEST FEATURE(Award given to the producer) Anora Producers: Sean Baker, Alex Coco, Samantha Quan I Saw the TV Glow Producers: Ali Herting, Sam Intili, Dave McCary, Emma Stone, Sarah Winshall Nickel Boys Producers: Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine Sing Sing Producers: Clint Bentley, Greg Kwedar, Monique Walton The Substance Producers: Tim Bevan, Coralie Fargeat, Eric Fellner BEST FIRST FEATURE (Award given to director and producer) Dìdi Director/Producer: Sean Wang Producers: Valerie Bush, Carlos López Estrada, Josh Peters In the Summers Director: Alessandra Lacorazza Samudio Producers: Janek Ambros, Lynette Coll, Alexander Dinelaris, Cynthia Fernandez De La Cruz, Cristóbal Güell, Sergio Alberto Lira, Rob Quadrino, Jan Suter, Daniel Tantalean, Nando Vila, Slava Vladimirov, Stephanie Yankwitt Janet Planet Director/Producer: Annie Baker Producers: Andrew Goldman, Dan Janvey, Derrick Tseng The Piano Lesson Director: Malcolm Washington Producers: Todd Black, Denzel Washington Problemista Director/Producer: Julio Torres Producers: Ali Herting, Dave McCary, Emma Stone JOHN CASSAVETES AWARD- Given to the best feature made for under $1,000,000. (Award given to the writer, director, and producer) Big Boys Writer/Director/Producer: Corey Sherman Producer: Allison Tate Ghostlight Writer/Director: Kelly O'Sullivan Director/Producer: Alex Thompson Producers: Pierce Cravens, Ian Keiser, Chelsea Krant, Eddie Linker, Alex Wilson Girls Will Be Girls Writer/Director/Producer: Shuchi Talati Producers: Richa Chadha, Claire Chassagne Jazzy Writer/Director/Producer: Morrisa Maltz Writer/Producer: Lainey Shangreaux Writers: Andrew Hajek, Vanara Taing Producers: Miranda Bailey, Tommy Heitkamp, John Way, Natalie Whalen, Elliott Whitton The People's Joker Writer/Director: Vera Drew Writer: Bri LeRose Producer: Joey Lyons BEST DIRECTOR Ali Abbasi The Apprentice Sean Baker Anora Brady Corbet The Brutalist Alonso Ruizpalacios La Cocina Jane Schoenbrun I Saw the TV Glow BEST SCREENPLAY Scott Beck, Bryan Woods Heretic Jesse Eisenberg A Real Pain Megan Park My Old Ass Aaron Schimberg A Different Man Jane Schoenbrun I Saw the TV Glow BEST FIRST SCREENPLAY Joanna Arnow The Feeling That the Time for Doing Something Has Passed Annie Baker Janet Planet India Donaldson Good One Julio Torres Problemista Sean Wang Dìdi BEST LEAD PERFORMANCE Amy Adams Nightbitch Ryan Destiny The Fire Inside Colman Domingo Sing Sing Keith Kupferer Ghostlight Mikey Madison Anora Demi Moore The Substance Hunter Schafer Cuckoo Justice Smith I Saw the TV Glow June Squibb Thelma Sebastian Stan The Apprentice BEST SUPPORTING PERFORMANCE Yura Borisov Anora Joan Chen Dìdi Kieran Culkin A Real Pain Danielle Deadwyler The Piano Lesson Carol Kane Between the Temples Karren Karagulian Anora Kani Kusruti Girls Will Be Girls Brigette Lundy-Paine I Saw the TV Glow Clarence "Divine Eye" Maclin Sing Sing Adam Pearson A Different Man BEST BREAKTHROUGH PERFORMANCE Isaac Krasner Big Boys Katy O'Brian Love Lies Bleeding Mason Alexander Park National Anthem René Pérez Joglar In the Summers Maisy Stella My Old Ass BEST CINEMATOGRAPHY Dinh Duy Hung Inside the Yellow Cocoon Shell Jomo Fray Nickel Boys Maria von Hausswolff Janet Planet Juan Pablo Ramírez La Cocina Rina Yang The Fire Inside BEST EDITING Laura Colwell, Vanara Taing Jazzy Olivier Bugge Coutté, Olivia Neergaard-Holm The Apprentice Anne McCabe Nightbitch Hansjörg Weissbrich September 5 Arielle Zakowski Dìdi ROBERT ALTMAN AWARD- Given to one film's director, casting director, and ensemble cast His Three Daughters Director: Azazel Jacobs Casting Director: Nicole Arbusto Ensemble Cast: Jovan Adepo, Jasmine Bracey, Carrie Coon, Jose Febus, Rudy Galvan, Natasha Lyonne, Elizabeth Olsen, Randy Ramos Jr., Jay O. Sanders BEST DOCUMENTARY (Award given to the director and producer) Gaucho Gaucho Directors/Producers: Michael Dweck, Gregory Kershaw Producers: Christos Konstantakopoulos, Cameron O'Reilly, Matthew Perniciaro Hummingbirds Directors: Silvia Del Carmen Castaños, Estefanía "Beba" Contreras Co-Directors/Producers: Miguel Drake-McLaughlin, Diane Ng, Ana Rodriguez-Falco, Jillian Schlesinger Producers: Leslie Benavides, Rivkah Beth Medow No Other Land Directors/Producers: Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor Producers: Fabien Greenberg, Brd Kjge Rnning Patrice: The Movie Director: Ted Passon Producers: Kyla Harris, Innbo Shim, Emily Spivack Soundtrack to a Coup d'Etat Director: Johan Grimonprez Producers: Rémi Grellety, Daan Milius BEST INTERNATIONAL FILM (Award given to the director) All We Imagine as Light France, India, Netherlands, Luxembourg Director: Payal Kapadia Black Dog China Director: Guan Hu Flow Latvia, France, Belgium Director: Gints Zilbalodis Green Border Poland, France, Czech Republic, Belgium Director: Agnieszka Holland Hard Truths United Kingdom Director: Mike Leigh PRODUCERS AWARD presented by Bulleit Frontier Whiskey - The Producers Award, now in its 28th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity, and vision required to produce quality independent films. Alex Coco Sarah Winshall Zoë Worth SOMEONE TO WATCH AWARD - The Someone to Watch Award, now in its 31st year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. Nicholas Colia Director of Griffin in Summer Sarah Friedland Director of Familiar Touch Pham Thien An Director of Inside the Yellow Cocoon Shell TRUER THAN FICTION AWARD- The Truer Than Fiction Award, now in its 30th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition Julian Brave NoiseCat, Emily Kassie Directors of Sugarcane Carla Gutiérrez Director of Frida Rachel Elizabeth Seed Director of A Photographic Memory BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer) Erased: WW2's Heroes of Color Executive Producers: Idris Elba, Johanna Woolford Gibbon, Jamilla Dumbuya, Jos Cushing, Khaled Gad, Matt Robins, Chris Muckle, Sean David Johnson, Simon Raikes Co-Executive Producer: Annabel Hobley Hollywood Black Executive Producers: Shayla Harris, Dave Sirulnick, Stacey Reiss, Jon Kamen, Justin Simien, Kyle Laursen, Forest Whitaker, Nina Yang Bongiovi, Jeffrey Schwarz, Amy Goodman Kass, Michael Wright, Jill Burkhart Co-Executive Producers: David C. Brown, Laurens Grant Photographer Executive Producers: Elizabeth Chai Vasarhelyi, Jimmy Chin, Pagan Harleman, Betsy Forhan Co-Executive Producers: Anna Barnes, Brent Kunkle Ren Faire Executive Producers: Ronald Bronstein, Benny Safdie, Josh Safdie, Eli Bush, Dani Bernfeld, Lance Oppenheim, David Gauvey Herbert, Nancy Abraham, Lisa Heller, Sara Rodriguez Co-Executive Producers: Abigail Rowe, Christian Vasquez, Max Allman Social Studies Creator/Executive Producer: Lauren Greenfield Executive Producers: Wallis Annenberg, Regina K. Scully, Andrea van Beuren, Frank Evers, Caryn Capotosto BEST NEW SCRIPTED SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer) Baby Reindeer Creator/Executive Producer: Richard Gadd Executive Producers: Wim De Greef, Petra Fried, Matt Jarvis, Ed Macdonald Diarra From Detroit Creator/Executive Producer: Diarra Kilpatrick Executive Producers: Kenya Barris, Miles Orion Feldsott, Darren Goldberg Co-Executive Producers: Ester Lou, Mark Ganek English Teacher Creator/Executive Producer: Brian Jordan Alvarez Executive Producers: Paul Simms, Jonathan Krisel, Dave King Co-Executive Producers: Kathryn Dean, Jake Bender, Zach Dunn Fantasmas Creator/Executive Producer: Julio Torres Executive Producers: Emma Stone, Dave McCary, Olivia Gerke, Alex Bach, Daniel Powell Co-Executive Producer: Ali Herting Shgun Creators/Executive Producers: Rachel Kondo, Justin Marks Executive Producers: Edward L. McDonnell, Michael De Luca, Michaela Clavell Co-Executive Producers: Shannon Goss, Andrew Macdonald, Allon Reich BEST LEAD PERFORMANCE IN A NEW SCRIPTED SERIES Brian Jordan Alvarez English Teacher Richard Gadd Baby Reindeer Lily Gladstone Under the Bridge Kathryn Hahn Agatha All Along Cristin Milioti The Penguin Julianne Moore Mary & George Hiroyuki Sanada Shgun Anna Sawai Shgun Andrew Scott Ripley Julio Torres Fantasmas BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES Tadanobu Asano Shgun Enrico Colantoni English Teacher Betty Gilpin Three Women Chloe Guidry Under the Bridge Moeka Hoshi Shgun Stephanie Koenig English Teacher Patti LuPone Agatha All Along Nava Mau Baby Reindeer Ruth Negga Presumed Innocent Brian Tee Expats BEST BREAKTHROUGH PERFORMANCE IN A NEW SCRIPTED SERIES Jessica Gunning Baby Reindeer Diarra Kilpatrick Diarra From Detroit Joe Locke Agatha All Along Megan Stott Penelope Hoa Xuande The Sympathizer BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES How to Die Alone Ensemble Cast: Melissa DuPrey, Jaylee Hamidi, KeiLyn Durrel Jones, Arkie Kandola, Elle Lorraine, Michelle McLeod, Chris "CP" Powell, Conrad Ricamora, Natasha Rothwell, Jocko Sims The Walt Disney Company is the parent company of Searchlight Pictures, Disney+, NatGeo, Hulu, Disney+ and this ABC station.

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All financial figures are in Canadian dollars unless otherwise noted CALGARY, Alberta, Dec. 04, 2024 (GLOBE NEWSWIRE) -- Gibson Energy Inc. ("Gibson" or the "Company") is pleased to announce the extension and amendment of a long-term contract at its Gateway Terminal ("Gateway" or the "Terminal") with an existing customer that refreshes the initial contract term, with further renewal options beyond that date. The extension includes contracting additional loading windows and increasing contracted capacity per loading window, resulting in fixed Gateway revenue from this customer increasing by approximately 40%. Gibson has also sanctioned dredging at Gateway, to be completed in early 2025, which will enable customers to load 10%+ more volume, the maximum allowable in Corpus Christi, directly on Very Large Crude Carriers and Suezmax vessels thereby reducing customer shipping time and cost. "Today's announcement marks a significant milestone for Gibson as we deliver upon our key Gateway acquisition objectives," said Curtis Philippon, President & Chief Executive Officer. "It is exciting to see our original customers renewing and expanding their position while welcoming new customers at the Terminal, demonstrating the strong demand for Gateway's attractive export capabilities. Customer demand, combined with excellent operational performance and the benefits of capital improvements, including the Cactus II connection and dredging projects, has Gibson on track to achieve our previously provided guidance on EBITDA growth earlier than anticipated. We now expect Gateway to achieve its EBITDA run rate growth target of 15 – 20% by Q4 2025." Growth Capital Guidance The Company also announced its 2025 growth capital guidance of up to $150 million, including $100 million of growth capital to be deployed predominantly at Gateway, and the remainder focused on other projects at and around other Gibson facilities currently being assessed in a disciplined manner. Gibson would also note that it has completed its assessment of the previously announced Waste-to-Energy Project proposal and has reached a negative final investment decision. Replacement Capital Guidance Gibson's Board of Directors approved the allocation of $60 million of replacement capital expenditures, including $20 million of capital related to turnarounds at both the Moose Jaw facility and select terminal assets. Cost Focus Campaign Gibson has also commenced an ambitious cost focus campaign to decrease costs on a run rate basis by the end of 2025 by greater than $25 million to ensure the Company is efficient and competitive, and well positioned for growth moving forward. To date, approximately $5 million of savings have already been realized. Funding Position With this capital budget, Gibson is fully-funded and expects to remain within its Financial Governing Principles with the benefit of growing stable Infrastructure cash flows in 2025. At the end of the third quarter of 2024, the Company's Net Debt to Adjusted EBITDA ratio ( 1) of 3.2x was just below the midpoint of its 3.0x – 3.5x target range and its Dividend Payout ratio (1) of 65% was below its 70% – 80% target range. "We will remain focused on the disciplined deployment of growth capital in 2025, as well as adhering to our key governing principles and capital allocation philosophy", said Sean Brown, Senior Vice President and Chief Financial Officer. "We expect to deploy up to $200 million between growth capital and share repurchases. With a growth capital program of $100 to $150 million, anticipated repurchases are between $50 and $100 million in 2025." About Gibson Gibson is a leading liquids infrastructure company with its principal businesses consisting of the storage, optimization, processing, and gathering of liquids and refined products. Headquartered in Calgary, Alberta, the Company's operations are located across North America, with core terminal assets in Hardisty and Edmonton, Alberta, Ingleside and Wink, Texas, and a facility in Moose Jaw, Saskatchewan. Gibson shares trade under the symbol GEI and are listed on the Toronto Stock Exchange. For more information, visit www.gibsonenergy.com . (1) Net debt to adjusted EBITDA ratio and dividend payout ratio are non-GAAP financial ratios. See the "Specified Financial Measures" section of this release. Forward-Looking Statements Certain statements contained in this press release constitute forward-looking information and statements (collectively, forward-looking statements) including, but not limited to, statements concerning Gibson's expectations of growth capital expenditures and replacement capital expenditures in 2025 and the location and use of such deployment, Gibson's ability to sanction projects that are in support of such expenditures and the timing thereof, Gibson's ability to grow Infrastructure cashflows throughout 2025, adherence to Gibson's current governing principles and capital allocation philosophy, Gibson's share repurchase program and expectation to repurchase shares in 2025, Gibson's expectations regarding the return of capital to shareholders, the timing thereof and conditions upon which Gibson would do so, the forecast operating and financial results of Gibson, where applicable, the resulting commercial capabilities of the dredging project and Cactus II connection project, Gibson's cost reduction capabilities and ability to realize cost reductions and expectations and targets for EBITDA, cash flows, distributable cash flow, debt and Net Debt to Adjusted EBITDA and Dividend Payout ratios. All statements other than statements of historical fact are forward-looking statements. The use of any of the words ‘‘anticipate'', ‘‘plan'', ‘‘contemplate'', ‘‘continue'', ‘‘estimate'', ‘‘expect'', ‘‘intend'', ‘‘propose'', ‘‘might'', ‘‘may'', ‘‘will'', ‘‘shall'', ‘‘project'', ‘‘should'', ‘‘could'', ‘‘would'', ‘‘believe'', ‘‘predict'', ‘‘forecast'', ‘‘pursue'', ‘‘potential'' and ‘‘capable'' and similar expressions are intended to identify forward-looking statements. The forward-looking statements reflect Gibson's beliefs and assumptions with respect to, among other things, future market conditions, the accuracy of financial and operational projections of Gibson, Gibson's future operating and financial results, ability to meet growth capital and replacement capital expenditure targets, continued adherence to Gibson's governing principles and capital allocation philosophy, the ability to place incremental infrastructure projects into service and the timing thereof and the ability to return capital to shareholders and the timing thereof. These statements involve known and unknown risks, uncertainties and other factors that may cause actual results or events to differ materially from those anticipated in such forward-looking statements, including, without limitation, risks inherent to Gibson's business generally and risks relating to historical and future financial results as it relates to Gibson's financial condition or results. No assurance can be given that these expectations will prove to be correct and such forward-looking statements included in this press release should not be unduly relied upon. These statements speak only as of the date of this press release. The Company does not undertake any obligations to publicly update or revise any forward-looking statements except as required by securities law. Actual results could differ materially from those anticipated in these forward-looking statements as a result of numerous risks and uncertainties including, but not limited to, the risks and uncertainties described in "Forward-Looking Information" and "Risk Factors" included in the Company's Annual Information Form and Management's Discussion and Analysis ("MD&A"), each dated February 20, 2024 and the Company's MD&A for the three and nine months ended September 30, 2024 and 2023, each as filed on SEDAR+ and available on the Gibson website at www.gibsonenergy.com . Specified Financial Measures This press release refers to certain financial measures that are not determined in accordance with GAAP, including non-GAAP financial measures and non-GAAP financial ratios. Readers are cautioned that non-GAAP financial measures and non-GAAP financial ratios do not have standardized meanings prescribed by GAAP and, therefore, may not be comparable to similar measures presented by other entities. Management considers these to be important supplemental measures of the Company's performance and believes these measures are frequently used by securities analysts, investors and other interested parties in the evaluation of companies in industries with similar capital structures. For further details on these specified financial measures, including relevant reconciliations, see the "Specified Financial Measures" section of the Company's MD&A for the three and nine months ended September 30, 2024 and 2023, which is incorporated by reference herein and is available on Gibson's SEDAR+ profile at www.sedarplus.ca and Gibson's website at www.gibsonenergy.com . a) Adjusted EBITDA Noted below is the reconciliation to the most directly comparable GAAP measures of the Company's segmented and consolidated adjusted EBITDA for the three and nine months ended September 30, 2024, and 2023: Three months ended September 30, Infrastructure Marketing Corporate and Adjustments Total ($ thousands) 2024 2023 2024 2023 2024 2023 2024 2023 Segment profit 150,271 137,727 14,183 17,900 — — 164,454 155,627 Unrealized (gain) loss on derivative financial instruments (1,553 ) 740 25 6,059 — — (1,528 ) 6,799 General and administrative — — — — (13,004 ) (14,258 ) (13,004 ) (14,258 ) Adjustments to share of profit from equity accounted investees 1,166 1,432 — — — — 1,166 1,432 Executive transition costs — — — — 251 — 251 — Renewable power purchase agreement — — — — (175 ) — (175 ) — Adjusted EBITDA 149,884 139,899 14,208 23,959 (12,928 ) (14,258 ) 151,164 149,600 Nine months ended September 30, Infrastructure Marketing Corporate and Adjustments Total ($ thousands) 2024 2023 2024 2023 2024 2023 2024 2023 Segment profit 446,566 336,483 69,391 123,962 — — 515,957 460,445 Unrealized loss (gain) on derivative financial instruments 3,746 740 (1,884 ) (6,872 ) — — 1,862 (6,132 ) General and administrative — — — — (51,920 ) (38,677 ) (51,920 ) (38,677 ) Adjustments to share of profit from equity accounted investees 4,071 4,293 — — — — 4,071 4,293 Executive transition costs — — — — 10,665 — 10,665 — Renewable power purchase agreement — — — — (175 ) — (175 ) — Other — — — — — 218 — 218 Adjusted EBITDA 454,383 341,516 67,507 117,090 (41,430 ) (38,459 ) 480,460 420,147 b) Distributable Cash Flow The following is a reconciliation of distributable cash flow from operations to its most directly comparable GAAP measure, cash flow from operating activities: Three months ended September 30, Nine months ended September 30, ($ thousands) 2024 2023 2024 2023 Cash flow from operating activities 404,794 190,015 531,178 419,254 Adjustments: Changes in non-cash working capital and taxes paid (258,264 ) (61,420 ) (64,620 ) (14,921 ) Replacement capital (13,023 ) (12,876 ) (24,260 ) (25,702 ) Cash interest expense, including capitalized interest (34,045 ) (32,290 ) (102,405 ) (65,677 ) Acquisition and integration costs (1) — 19,959 1,371 19,959 Executive transition costs 7,433 — 10,665 — Lease payments (8,144 ) (8,575 ) (24,178 ) (26,268 ) Current income tax (10,582 ) (1,860 ) (23,633 ) (23,800 ) Distributable cash flow 88,169 92,953 304,118 282,845 (1) Acquisition and integration costs adjusted on an incurred basis. c) Dividend Payout Ratio Twelve months ended September 30, 2024 2023 Distributable cash flow 407,063 371,305 Dividends declared 263,050 226,755 Dividend payout ratio 65 % 61 % d) Net Debt to Adjusted EBITDA Ratio Twelve months ended September 30, 2024 2023 Current and long-term debt 2,528,454 2,645,904 Lease liabilities 50,246 67,862 Less: unsecured hybrid notes (450,000 ) (450,000 ) Less: cash and cash equivalents (55,584 ) (54,464 ) Net debt 2,073,116 2,209,302 Adjusted EBITDA 650,141 557,481 Net debt to adjusted EBITDA ratio 3.2 4.0 For further information, please contact: Investor Relations: (403) 776-3077 investor.relations@gibsonenergy.com Media Relations: (403) 476-6334 communications@gibsonenergy.com © 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.